Meeting Transcripts
City of Charlottesville
Board of Architectural Review Meeting 11/15/2022
Board of Architectural Review Meeting
11/15/2022
SPEAKER_04
00:02:47
So I just said to them, if it's, and I said, my first guess would be yes, somebody added that, if that didn't happen, I said, but we would need something more than, Candice said she had a photograph, and then she showed me this one.
00:03:09
So I said, that's a heavy lift.
SPEAKER_13
00:03:13
And the building's 50 years old.
00:03:14
And then I said, do you want to add the porch?
00:03:17
Fine.
00:03:17
I said, but it's a level of detail the BAR wants to add.
SPEAKER_04
00:03:21
I said, I think you've got it.
00:03:22
But I said, all this stuff
00:03:35
I've been wondering forever why the bricks shot and it's because somebody sandblasted.
00:03:45
I went through it and I was shocked how dry it was.
00:03:50
It was pretty dry then.
00:03:51
I thought the facility was going to stink.
00:03:54
So the questions here will be, of these things,
00:04:03
I did a house that, this house over on Hartman's Mill Road, I mean literally it's like, cause we did, we looked at the, oh you can't get down there.
00:04:28
because they had to knock the cottage down.
00:04:30
But you could see it in the census between 1880 and 1930.
00:04:34
This guy's family is just growing exponentially.
00:04:37
And they would just add a room, add a room, add a room, add a room.
00:04:43
And so it's like trying to figure out what went first, second, or third.
00:04:47
And at one point, they just built a roof that merged the other buildings.
00:04:51
We should go there.
SPEAKER_13
00:04:53
So that is an individually listed building.
SPEAKER_04
00:04:57
And when I looked at the survey, I knew there was a senator there.
00:05:04
No, I'm sure that James and I were out there.
00:05:06
And we dug around and found it.
SPEAKER_08
00:05:07
Okay.
SPEAKER_17
00:05:39
How was your trip?
SPEAKER_13
00:05:48
Did you have to go on a long delayed trip?
00:05:54
It was fantastic.
00:05:57
It was a pretty exciting adventure.
00:06:04
We liked a bicycle, so we did a bicycle tour on the platform.
SPEAKER_06
00:06:12
Okay?
SPEAKER_13
00:06:12
Great.
SPEAKER_02
00:06:21
Yeah.
SPEAKER_13
00:06:22
How tall are you?
SPEAKER_11
00:06:25
Yes.
00:06:26
Have you worked?
00:06:27
I work at Green Country.
00:06:30
You are new to this board as well, right?
SPEAKER_13
00:06:48
yeah I ended up zooming I mean I just wanted to sort of watch it
SPEAKER_02
00:07:20
Did you find plates?
00:07:21
Good man.
SPEAKER_15
00:07:22
Thank you sir.
00:07:46
I should have heard.
SPEAKER_13
00:08:17
Yeah.
SPEAKER_05
00:08:17
Yeah.
00:08:45
If you try to walk with what they're sort of what's they usually call awesome
SPEAKER_08
00:09:03
Well, we will tonight because our chair is going to be speaking at the end.
SPEAKER_04
00:09:10
So, one of the views we need to get is that we have a challenge.
00:09:21
We've got one more person to make sure of that.
00:09:32
Is Brett going to chair from Zoom?
SPEAKER_01
00:09:37
Are you chairing?
SPEAKER_08
00:10:06
I want to know all of you.
SPEAKER_14
00:10:34
We couldn't get three people.
SPEAKER_04
00:11:04
That was my messed up day.
00:11:06
Can I just do some housekeeping, cleaning.
00:11:16
We have folks who talked about the trees, if at all possible.
00:11:23
If you can knock it out in the key meeting, I'd like to do that.
00:11:29
David is, I need to.
00:11:36
So move it when you're chewing.
00:11:38
Thank you, Carl.
00:11:39
This is a criminal.
00:11:42
And so if you, so if we can do that once we get through, you know, they said maybe 10 minutes to, so have them.
00:11:52
That's one thing off our plate.
00:11:56
Anything on the agenda that you guys had any
00:12:02
I don't know if I got you everything.
00:12:08
No, no because I've been I've been dying to figure that house out and it still baffles me.
00:12:30
So they've been working with engineering on that whole thing.
00:12:33
Eric Morse has been involved.
00:12:34
So I'm very comfortable with that.
00:12:36
How are you?
00:12:37
Sorry, Coach.
00:12:38
I know how it goes.
SPEAKER_06
00:12:58
No.
SPEAKER_08
00:13:08
It was always a parking garage.
SPEAKER_04
00:13:14
Hey Steve, do you have, and is it Steve or Steven?
00:13:20
See, that's good.
00:13:21
Architects get a little touchy when you change it around, you know.
00:13:26
Forrester, a bunch of architects.
00:13:32
Man, that was like the hardest thing.
00:13:34
In the A school, I'd say, hey, Dan, it's Daniel.
00:13:37
I'm like, oh, man, OK, well, there you go.
00:13:42
Well, do you like if I call you?
00:13:43
I said, hey, I just get upset if you call me late for dinner.
00:13:46
All right, so the other
00:13:55
looking at myself.
00:13:57
Any questions on any of the other
00:14:24
No, in fact, that would have been, except for the demo, I would have, you know, the trees thing's a little, I don't know, we'll talk trees.
00:14:40
So I'm glad they took that step, but normally, if it hadn't been, you hadn't been required to review that,
00:14:53
I would have treated it as a site plan, so I would have just signed off and don't need to bother with that.
00:15:02
I was talking to Roger earlier, so we have the two preliminary discussions and really what I want to get out of the one for the hotel is what kind of details, I know what they want to do,
00:15:21
stuff do you all want to see so that they can have it, make it available.
00:15:26
They want to rebuild that portico.
00:15:28
Okay, what level of detail, things like that.
SPEAKER_15
00:15:30
Someone will be here.
SPEAKER_04
00:15:40
Hartman's Mill House.
00:15:43
It's really just some, it's on that back, I don't know, I think like I said, everything except for that western addition and the decks, you know, at least dates between that 1870 and 1920.
00:15:58
But it's, yeah, I can't figure that house out.
00:16:02
Even after, you know, all that.
00:16:04
Well hell, we couldn't figure out that cottage.
00:16:07
It was the,
00:16:09
So, but again that one's I think
00:16:15
They said we know we're supposed to do a preliminary discussion.
00:16:18
They're checking that box.
00:16:20
I don't know if they have any questions, but we could certainly have any for that.
00:16:25
I said trees.
00:16:26
Hopefully we can knock that out quickly here.
00:16:28
And then I will say up front, I asked about a BAR dinner, as we used to do.
00:16:37
There's no funding for that, so I think we just should discuss that offline.
00:16:43
and go crash Breck's house and make him use that expensive pizza oven he has.
00:16:52
So the other question is, is Breck on?
00:16:59
And how can I determine that?
00:17:05
Well, I'd like to invite
00:17:12
Steve and Rianna to come up and talk about the trees unless you all have any.
00:17:23
Gentlemen, if you don't mind me take a bite of pizza while I sit here.
SPEAKER_18
00:17:31
Talking to the microphone here?
00:17:34
That's generally the idea.
00:17:35
Did you have a thumb drive?
00:17:38
He's got it on his machine.
00:17:39
There we go.
SPEAKER_01
00:17:42
Just before we start, once again, thank you so much for allowing us, Parks and Rec.
00:17:48
to come before you again to give you a quick PowerPoint presentation about the downtown trees.
00:17:56
Again, I'm Rian Anthony.
00:17:57
I'm the Deputy Director of Parks and Rec and this is Steve Gaines.
00:18:03
He is our urban forester for the city of Charlottesville and he'll be taking the lead on this presentation.
00:18:09
Thanks.
SPEAKER_18
00:18:11
All right.
00:18:12
Thank you everybody again.
00:18:12
Thank you for the opportunity to be here to talk with you.
00:18:15
I know everybody's busy.
00:18:16
Anyway, so my name is Steve Gaines.
00:18:18
I'm an urban forester through Parks and Rec.
00:18:21
Thank you for taking the time to educate yourself about this, even though I'm sure you're all well educated about what we're here for.
00:18:28
So I just want to say up front, you know, we all know what this project is, and that's focusing on tree removals.
00:18:34
We understand that it's a very sensitive
00:18:37
subject.
00:18:38
But Parks and Rec does not, we don't want to remove any of these trees.
00:18:41
Our main business is to care for the trees and to support urban canopy and the services that these trees provide.
00:18:46
But we are also obligated to protect the public and the property.
00:18:50
So that's really why we're acting now.
00:18:52
As we move forward this evening, please help, you know, hold questions until the end and we'll get through what we can.
00:18:57
We should have time for questions and comments.
00:18:59
Next slide, please.
00:19:02
So just a quick hit list of where this discussion is going.
00:19:06
We are planning for the long-term management of the mall trees.
00:19:09
That is definitely forefront in our minds.
00:19:11
We're going to talk a little bit about why we're removing the trees that we're targeting and where they are located and what the city's going to do to mitigate the disturbance to the mall going forward.
00:19:21
Next slide please.
00:19:28
All right, so long-term planning for the mall.
00:19:30
We are in the process of securing yearly funding for the management on the mall with the trees.
00:19:35
This should give us funding for inspections, pruning, or anything else maintenance related for the trees going forward.
00:19:43
There is a current RFP request for proposal that has recently been submitted to the city.
00:19:48
It's in procurement right now.
00:19:50
The finished product is going to be pretty much a comprehensive plan of management practices and timelines for all of our mall activities.
00:20:00
We are going to put this out to bid internationally.
00:20:02
We expect to get a good response.
00:20:04
We're going to have a good mix of
00:20:06
Arborists, urban planners, landscape architects, hopefully a firm that's going to encompass all of that.
00:20:11
And there will be a committee that's appointed that's going to go through all of the bids and select what plan we're going to go with and what company.
00:20:20
Next slide please.
00:20:24
Okay, the RFP will specifically address how we will be removing the trees in the future, how they will be replaced, and maintenance plans and timeframes.
00:20:34
At this time, we do not know what we are going to replace the trees with that we remove, and we don't know what species they're going to be, is going to be the replacements, and we don't know in what manner the trees are going to be removed in the future.
00:20:46
We're going to go block by block,
00:20:49
or just continue to peck away at the very obvious trees that are declining and replace them as they decline.
00:20:55
That's all going to be addressed in the RFP.
00:20:58
Next slide, please.
00:21:01
Okay, our main objective here is safety, making the pedestrian mall safe for pedestrians and to protect the property and of course the historic features.
00:21:09
Again, we don't want to remove the trees, but we feel that they are necessary.
00:21:16
Next slide.
00:21:20
Okay, I mentioned earlier that this is, as we've been looking at these trees for a long time, and my predecessor certainly have, it was not just city staff that looked at these trees.
00:21:30
These trees were also looked at by Bartlett tree experts, Big O Tree and Lawn Service, Tree Matrix, and Virginia Cooperative Extension.
00:21:37
When we were walking them all, we all got zeroed in on the same trees.
00:21:42
It was not just, I picked these out.
00:21:43
It was very well thought out.
00:21:47
So basically, as an arborist, when I'm assessing a tree, we use scary words like risk and hazard and we evaluate the tree itself in addition to the surrounding environment.
00:21:57
As it says here, a tree is considered hazardous when it appears to be likely to fail and to cause an unacceptable degree of injury.
00:22:04
We've got a risk, combination of likelihood and potential consequences and hazard, how likely it is for a branch or a lead to break and fall and causing them an unacceptable degree of injury.
00:22:16
As you can see in this picture, if you look at it, there's leaves, obviously the tree's fallen over and it's been rotten, but there probably wasn't a whole lot that was showing what was going on on the inside of the tree.
00:22:27
It's very difficult to tell.
00:22:32
It's hard to tell these things going on, so arborists look for signs and symptoms that kind of tell the story of what's going on on the interior of the tree.
00:22:39
In the case of the trees out here on the mall, there are a lot of signs and a lot of symptoms.
00:22:43
It's very obvious that these trees are declining.
00:22:47
At the same time, for us, it's environment, environment, environment.
00:22:51
So we've got a lot of very valuable property.
00:22:56
We've got pedestrians.
00:22:59
The only way to make sure there's zero risk with the trees is to not have a tree there.
00:23:03
We all enjoy the benefits.
00:23:04
We need to have trees in our mall.
00:23:06
So we need to make them safe.
00:23:09
So again, for example, a tree that's dying on the side of a field somewhere, it's not necessarily a risk.
00:23:16
It's not a hazard.
00:23:17
If it's a playground or a park, yeah, it's a serious liability and it needs to be addressed, which is exactly what we have here.
00:23:29
Environmental factors and risk include exposure, how often there's a target underneath it.
00:23:34
In the case of the mall,
00:23:36
On a good day in June or July, you might have 5,000, 6,000 people on the mall.
00:23:41
And that's extreme.
00:23:42
So all of these considerations are kind of in my mind when I'm looking at these.
00:23:48
And there are actually equations that quantitatively quantify the level of risk.
00:23:52
But here, the ones that we are targeting, it's really a no-brainer, particularly considering what the risks and the targets are.
00:24:00
Next slide.
00:24:05
OK, I think everybody got a handout of this.
00:24:08
So the tree locations, as you can tell, it's kind of centered around the fountain part of the mall in the middle.
00:24:13
It's not like we are removing all the trees at the front or the bottom of the mall.
00:24:17
They're kind of spread out.
00:24:21
So there's 72 trees that make up the mall.
00:24:24
63 of them are oaks.
00:24:25
Nine of them are maples.
00:24:26
We're proposing to remove five oaks, three maples, and one tree of heaven, which no one really wants anyway.
00:24:35
So it's pretty spread out.
00:24:39
Next slide, please.
00:24:44
All right, so I know we're all kind of anxious to see which trees are going to be getting targeted here.
00:24:48
But just kind of nailing home here, before we get too much into considering which trees are going to be removed, I want to talk a little bit about urban tree stressors.
00:24:57
As we all know, trees are dynamic organisms.
00:24:59
They grow, they mature, they die, just like us.
00:25:02
And when they're getting older, they require more maintenance.
00:25:08
But these trees, they have tolerated a lot.
00:25:10
First off, they have very little room for root development.
00:25:12
Considering the mass of these tree support, it's really pretty incredible that they're still standing upright.
00:25:17
Considering the very small area they have for root development.
00:25:21
On top of that, they have direct heat from the sun, and then they have reflected heat coming up from the impervious pavement.
00:25:27
They have extremes of drought and excess moisture.
00:25:30
And, of course, they have the tree grates that we all love so much.
00:25:33
Of course, litter and people pouring things in there, I mean, it's just not a very conducive environment for trees.
00:25:39
And so all things considered, we are extremely fortunate that they've lasted this long.
00:25:44
Alpern put this design together and the trees were planted in 1976.
00:25:48
Trees were about six inches in caliper when they were planted, so they're about maybe a little over 50 years old, 55 years old, somewhere in there.
00:25:57
They've put up with a lot.
00:25:59
Willow Oaks were an incredibly good choice for this scenario, and they've done well.
00:26:03
I think they've exceeded any of our expectations.
00:26:05
They just need some help at this point.
00:26:08
So, moving on.
00:26:09
Next slide, please.
00:26:12
So first tree needs to be removed.
00:26:14
I didn't list all 11 in here.
00:26:16
I do have pictures of them in the slide.
00:26:17
I just kind of hit the highlights right here.
00:26:20
This one that needs to be removed is right near the fountain, right behind the fountain in the heating and dining area.
00:26:26
It's about a 22-inch Willow Oak.
00:26:28
So you can see it's got a very suspicious wound.
00:26:30
It's probably about head height, maybe about five feet.
00:26:34
It was wounded by something.
00:26:35
If you look at all of the, well not all of them, but several trees along the mall, they all have a wound like this at about the same height.
00:26:41
It's rather suspicious.
00:26:43
But this one in particular, for its location and its degree of lean, is particularly hazardous.
00:26:48
If you're up close looking at it, you will see that it's got a lot of carpenter ant activity.
00:26:53
Carpenter ants pretty much nest in decay.
00:26:56
So that tells me right there there's a significant amount of decay inside that tree.
00:27:01
If you were to take a sharp object like a knife or a long pen, you can actually poke that and go in several inches into the interior of the tree.
00:27:09
It needs to go, given the level of people around it in the businesses.
00:27:14
Next slide, please.
00:27:17
This is another willow oak, about the same size, maybe a little bit smaller.
00:27:20
Same story, it's got a lot of carpentry activity.
00:27:23
I would say the degree of decay in this probably exceeds the last one.
00:27:27
It's probably got a bit more of a lean.
00:27:30
Both of these trees where that main decay spot is where the
00:27:35
The weight shifts in the top.
00:27:36
It starts leaning.
00:27:37
That's a very significant point to have a weakness.
00:27:42
The idea that it might fail is elevated just for the location of that particular wound.
00:27:46
And that wound's about the same height as the other one, about head height, which tells me it's probably some sort of human alteration that's causing the wounds.
00:27:55
could be any number of things.
00:27:58
But anyway, it's a significant risk.
00:27:59
It's got a lot of dead limbs.
00:28:01
And a lot of those limbs at the site of the pruning cuts where they've removed branches are oozing, which is also not a good sign.
00:28:08
It's just stressed out.
00:28:11
Next slide, please.
00:28:14
And also we have some trees that it's also a little bit more difficult to tell what's going on, but they've been pruned extensively.
00:28:19
You've pretty much got a stick with a little bit of green on it.
00:28:23
And we've really got to ask ourselves, if you look at all the number of fruiting bodies from fungus that's on there and
00:28:30
and all the other hazards associated with it.
00:28:32
Is it worthwhile to keep this tree there and accept the level of risk or remove it and plant something that's going to provide more shade and more service for people on the mall?
00:28:41
Also, this particular tree, which is right across from Rockfish Brewing Company, if you look on the bottom along the base, you'll see a big fruiting body conch.
00:28:50
It's a Ganoderma fungus.
00:28:52
It's only going to be there unless there's significant decay in the trunk.
00:28:55
So it's a hazard.
00:28:59
Next slide, please.
00:29:01
And of course, we have a tree of heaven.
00:29:04
This is right near the whiskey jar.
00:29:05
It's not only propagating in all of our beds, but it's also probably seeding the part of lower Preston Street.
00:29:13
On general principle, if we can get rid of invasive trees, we'd like to.
SPEAKER_04
00:29:18
I just wondered if that's holding up that corner, because I've been looking at that for years.
SPEAKER_18
00:29:23
It might be.
00:29:25
Anyway, mature female Ailanthus tree, we don't want it.
00:29:27
We're going to remove it.
00:29:30
Next slide.
00:29:36
Okay, so there's a couple more trees if you guys want to look.
00:29:38
There are pictures at the end of this if we want to really get into it, but the safety protocols and mitigations.
00:29:42
We're planning to do this in February, probably hopefully another bleak drizzly day where there's not going to be a scene that's going to be able to direct people in and out of
00:29:52
Shops and stores for store owners and pedestrians.
00:29:54
It's going to be tree crews, it's going to be staff available.
00:29:58
We'll follow existing OSHA regulations and probably a lot more to make sure that everybody's safe and there will be a lot of attention on this in regards to safety.
00:30:12
And we're going to keep people informed and give people notice of when we intend to do the work.
00:30:16
At this time, I'm thinking January or February.
00:30:20
But we'll see.
00:30:22
And I think that's about it.
00:30:24
Next slide.
00:30:26
Questions, comments?
SPEAKER_04
00:30:31
I didn't, sorry, I haven't heard from Brent, so it was somewhat elevating Carl to the
SPEAKER_03
00:30:42
I am here.
SPEAKER_15
00:30:43
I don't know if anyone can hear me.
00:30:52
The wounds that you're seeing on the trees, are they all the same age?
SPEAKER_18
00:31:02
Probably, I mean the way the trees, you know, they coat it, how they deal with a wound, some of them have been more successful at containing the
00:31:10
But I would say probably on the same couple of years.
SPEAKER_15
00:31:16
It's completely out of our purview.
00:31:18
I'm just curious.
00:31:20
I'm just wondering, would patio heaters do that?
00:31:23
Yeah.
00:31:23
OK.
SPEAKER_18
00:31:24
There's all kinds of things, but that would be my guess.
00:31:27
OK.
SPEAKER_05
00:31:30
Interesting.
00:31:30
Clarification question on that?
00:31:32
Yes, sir.
00:31:33
So when you were saying that all the trees have that wound, is it all the trees that you're looking to remove or all the trees?
SPEAKER_18
00:31:39
No, no, no, they do not all have that wound and not all the trees that we are planning to remove have that wound.
00:31:43
I don't think I said that, but if I did, I apologize.
00:31:47
No, all the trees that we are removing have a significant, something very obvious like that.
SPEAKER_04
00:31:54
Let me clarify.
00:31:55
So we have, we all know there's some issues with the maltrees in general and that's where that larger sort of plan is underway to have that discussion.
00:32:07
What you have here are, I cross out the tree of heaven, is a determination by
00:32:16
essentially city manager's office, you know, these are trees that are present a risk.
00:32:22
And so what I wanted to make sure is that, you know, they were able to do what they needed and the BAR understood that.
00:32:31
But this is not, we're not getting into discussion now about the rest of the trees.
00:32:36
We know that conversation is coming, if that helps.
SPEAKER_13
00:32:42
Did I understand that you said you weren't sure what you were going to replace the trees with?
00:32:47
What species?
00:32:48
That's correct.
00:32:49
Why wouldn't you just replace them with willow oaks?
SPEAKER_18
00:32:54
Willow oaks need more sunlight than they have.
00:32:56
It's already quite shaded.
00:32:57
They're shade intolerant, so they're going to need more sunlight.
00:33:00
So if we wanted to plant something like that, we'd have to look at removing, I call them kind of islands of trees.
00:33:05
something that's going to have enough light to be able to grow like that.
00:33:08
There's plenty of other shade tolerant species that are not going to be able to grow as fast.
00:33:14
So it's a large conversation as far as what's going to be replaced, what the replacement species is going to be.
00:33:20
And do we replace it with the same species?
00:33:21
Do we have a number of different species?
00:33:23
Because if you think about how something, my big fear here is like an ambrosia beetle is going to get in here.
00:33:28
Ambrosia beetles are attracted pretty much to wood boring insect, it's a family of them really, but it's attracted to declining trees, stressed out trees.
00:33:37
All these trees are under an incredible amount of stress.
00:33:39
You get one of those little buggers in there, they're all going to go.
00:33:43
So really the only defense against that is a diverse species composition.
00:34:01
That is correct.
00:34:02
And there's been a number of, you know, thoughts on what to do with the wood.
00:34:05
I would think, certainly with that, just to eliminate the safety hazard, cut it low and cover the stump up, we might do something.
00:34:12
I think we should get creative and invite the community to participate, but maybe some sort of a wood carving, something.
00:34:19
I mean, with the wood itself generated from the trees that are going to be cut, we could do some on-site milling, we could make benches, we could do a log
00:34:27
I think something that we can recycle some of the energy and maybe even some of the funds if we have some sort of an auction back in the mall projects.
00:34:40
But either way, something that the community is going to be able to get involved with.
00:34:47
I don't know.
00:34:47
I mean, I would think, I don't know, maybe hip height, maybe.
00:34:52
A lot of it depends on how decayed it is, too.
00:34:55
I don't think these trees, I would assign this a moderate risk.
00:34:59
They're not gonna fall down tomorrow.
00:35:01
Honestly, if you walk the mall, it's much scarier just looking up at the amount of dead wood in the trees than these particular trees that I've selected.
00:35:08
But the trees that I did select have a much higher risk for something big failing and falling.
00:35:15
but the amount of dead wood in these trees is also considerable so we do have one of the things that we're going to address in the RFP is a regular maintenance for pruning and there needs to be a big one so that's going to be another conversation we'll have at some point but yeah a lot needs to be done and I don't know why this hasn't been done yet.
SPEAKER_03
00:35:34
Can I add just a couple things?
00:35:36
Yes sir.
00:35:37
Thank you.
00:35:38
Thank you.
00:35:38
And thanks to the city and for doing this study.
00:35:42
I think it's important that you've identified these hazards.
00:35:49
They are, they have been.
00:35:50
I think even though many people do not necessarily recognize, I think all the trees are doing just great.
00:35:56
But I agree with the selections that you've made and have made a good case for it.
00:36:02
So I support this, the action.
00:36:06
I guess the thing that I would just note in terms of moving forward, you mentioned the couple of priorities for Parks and Recreation, one being safety.
00:36:18
That's agreed.
00:36:20
Protecting historic resources, that's agreed.
00:36:22
I think really the third, which should make the same list, even though you've implicitly stated it, is that we need to evolve the mall tree planting into a long-term, sustainable, maintainable system, living system.
00:36:39
And the RFP, that's certainly the one step towards it, but I think all of this conversation
00:36:46
demonstrates that we're five, ten years behind on this.
00:36:50
We need to move quickly.
00:36:52
This is going to be increasingly an issue and I don't want to wait until the next eight trees need to go before we have a much better plan for what's going in its place.
00:37:04
So I just would encourage adding that to the priorities and moving with haste with the RFP.
SPEAKER_18
00:37:12
And of course, there will be a committee that's going to be looking at all the different bids, but we're going to want a pretty wide network of opinion on what can be planted, replacement-wise.
SPEAKER_03
00:37:31
I will note that I do believe that the species selection, especially the willow oaks, is a really critical, important part of the design, the historic design.
00:37:40
I think it's been borne out that the maples were especially poor selection and it performed poorly.
00:37:48
But so I think there's definitely
00:37:52
Some room for adapting the species composition, but it should be one that should be had as a part of the evaluation of a long term historic character of the design.
SPEAKER_01
00:38:08
So again the reason why we are not just jumping into planting and replacing is because we have the RFP coming and within the RFP scope we are also asking them to look at a species combination and they will give us that recommendation so that we don't have to do the work twice.
00:38:29
So we're waiting for that RFP to come in
00:38:31
and kind of give us recommendation and guidance so that we can be more efficient when we are talking about the downtown trees.
SPEAKER_04
00:38:45
There's a larger discussion that we're building towards.
00:38:50
This is about the at-risk issues, so is that a good intro and we can answer some questions?
SPEAKER_15
00:39:00
I know it's completely off topic, but is the city doing anything to communicate with the businesses on the mall about not harming the trees?
00:39:11
I'm sorry, I'm completely fixated on the tree damage.
SPEAKER_01
00:39:14
So that is a very good question, and at the same time a very complex question.
00:39:21
The downtown mall is a complex community.
00:39:25
And yeah, the reason why the trees are being stressed, because normally if you take a tree or even a human being living in a normal habitat, we will live longer.
00:39:35
But if we are put into a stressful situation, which they are, meaning cafe space, there are heaters in the summer, I mean in the winter, there are lights hanging from the tree, there are nails.
00:39:48
So again, as James mentioned here a couple of months ago, the city, led by the city manager, is forming a downtown mall committee.
00:39:59
I think one of the bar members will also be invited to that.
00:40:02
He's to look at this complex situation as a whole and address all these things so that
00:40:11
Fifty years from now, we won't have the same conversations of how do we protect the trees, just not the trees, but also how can we all coexist in a good and safe environment.
SPEAKER_04
00:40:31
Sorry, I interceded.
00:40:33
I didn't think you were there, but would you, are you able to preside, do you think, or how do you want to?
SPEAKER_03
00:40:42
No, I would like to propose that board member and former chair, Carl Schwartz, preside over the meeting if that's okay with the rest of the board.
SPEAKER_04
00:40:55
Are you all amenable to that?
00:40:56
All right.
00:40:57
So gentlemen, thank you.
00:40:59
We'll be in touch.
00:40:59
Steve, good to meet you finally.
00:41:02
And thank you for that sign at the park or whoever got it up there at the cemetery.
00:41:07
That's what we needed.
00:41:08
Thank you very much.
00:41:09
And it's Mr. Schwartz, if you would like.
00:41:21
I did.
00:41:21
Well, you know,
00:41:24
Robert did leave.
00:41:27
You got the links back there, so that's fantastic.
00:41:30
Molly is a very fast learner.
00:41:32
Robert came in and walked her through his special recipe, so she did great.
00:41:39
I don't know who has the computer screen right now, Patrick?
00:41:49
Breck, do we want Breck to be a large head, or can we do something about that?
SPEAKER_03
00:41:56
I don't need to be a large head.
00:41:58
I'll speak up if I need to.
SPEAKER_04
00:42:01
If you could make him a little square.
00:42:02
Ah, there we go.
00:42:09
Carl, do you have an agenda with you?
SPEAKER_15
00:42:13
I've got it, yes.
00:42:14
I'm going to keep trying to pay attention to see if you want to talk, but you may need to do some waving around.
SPEAKER_03
00:42:23
Is it okay if I just unmute and speak up, or do I need to raise my hand?
SPEAKER_15
00:42:31
All right, everyone.
00:42:32
Welcome to this regular monthly meeting of the Charlottesville Board of Architectural Review.
00:42:36
Staff will introduce each item, followed by the applicant's presentation, which should not exceed 10 minutes.
00:42:41
The chair will then ask for questions from the public, followed by questions from the BAR.
00:42:45
After questions are closed, the chair will ask for comments from the public.
00:42:49
For each application, members of the public are each allowed three minutes to ask questions and three minutes to offer comments.
00:42:55
Speakers shall identify themselves and provide their address.
00:42:58
Comment should be limited to the BAR's purview, that is regarding only the exterior aspects of a project.
00:43:04
Following the BAR's discussion and prior to taking action, the applicant will have up to three minutes to respond.
00:43:12
So the first item on our agenda is matters from the public not on the agenda.
00:43:18
Also, if you wish to speak to anything that's on the consent agenda, now would be the time to do so.
00:43:23
The items on the consent agenda are zero pressed in place, 480 Rugby Road, and 402 Park Street.
00:43:35
Is there anybody in the public who would like to speak to matters not on our action agenda?
00:43:42
And if anyone's online, please raise your hand or press star nine.
SPEAKER_04
00:43:46
Not seeing anyone.
SPEAKER_15
00:43:48
All right.
00:43:52
Next is our consent agenda.
00:43:54
Would anybody like to make a motion to approve the consent agenda or pull in the items from the consent agenda?
SPEAKER_05
00:44:01
I move to approve the consent agenda.
SPEAKER_15
00:44:05
Second?
00:44:06
Seconded.
00:44:07
All right.
00:44:08
Everyone in favor?
SPEAKER_14
00:44:09
Yes.
SPEAKER_15
00:44:10
Aye.
00:44:10
Aye.
00:44:11
Great.
SPEAKER_14
00:44:12
I abstain.
00:44:13
Oh, sorry.
SPEAKER_03
00:44:15
I abstain.
00:44:15
Sorry, I have a project that's on the agenda.
SPEAKER_15
00:44:18
All right.
00:44:22
Forgot about that.
00:44:25
So our first item tonight is a deferred item.
00:44:28
It is 0 Third Street Northeast.
SPEAKER_04
00:44:31
All right, while we're waiting for, we can do it this way.
00:45:05
Okay, better at this.
00:45:06
All right, here we go.
00:45:07
So, first off, this is a continued discussion of 0 Third Street Northeast.
00:45:17
It's within the North Downtown ADC District.
00:45:20
It's a vacant parcel and been working with the applicant on the construction of a new residence on the site.
00:45:28
You've had a
00:45:30
A couple of
00:45:48
and this is working towards preparing what they hope is a final submittal for you all to review.
00:45:54
So while it's just going to be a discussion, we still, because of it being a deferred matter, at the end of the discussion, Candy, I will encourage her to request
00:46:09
additional deferral, you all can vote to accept that request.
00:46:15
So, I won't, I think you all are relatively familiar with this one, and as I said, this is, Candace has a list of questions, but I also think there, you know, this is an opportunity if there are
00:46:28
questions.
00:46:29
You all have details you want to see, things that need to be clarified that you would want to see in a final submittal.
00:46:36
This is an opportunity to express that as well.
00:46:39
So with that, well, you get to present first.
SPEAKER_24
00:46:55
Thank you very much.
00:46:56
Good evening.
00:46:57
I have actually just a few questions for you.
SPEAKER_15
00:47:00
Can the people in the back hear Ms.
00:47:02
Smith?
SPEAKER_24
00:47:03
How about that?
00:47:04
Is that better?
00:47:05
Sorry.
00:47:05
How about now?
00:47:08
All right, I'll be closer.
00:47:11
I actually have just two or three questions for you.
00:47:15
The first is the style and form of the front porch, which has gone through a couple different variations than you all.
00:47:24
And we agreed that we like this entrance at the semi-lower level through a brick foundation, corbelled foundation.
00:47:33
and upper porch not accessible by stairs that's actually at the main first floor living level.
00:47:40
So there's three porches that we're going to talk to you about.
00:47:43
I'm also going to ask you about paint colors and I have paint chips that I'm going to pass out to you because the scans of colored renderings never appear the way they are.
00:47:53
And then last question is just a question on the form of what could have been a gate, excuse me, a fence near the
00:48:01
Beyond the front face of the building, but it's actually some gates to Close off the courtyard Court parking court, I guess you might want to call it So the first question is on the porches.
00:48:14
There's three porches that the owner has We are presenting for the owner the first is a very streamlined thin roofed
00:48:25
structure that has solid panels below that would be in one of the darker pink colors that you will see.
00:48:31
So those circles and ovals are just etches in a solid panel on the upper porch.
00:48:36
And again, the brick opening into the door that's recessed back at the face of the building.
00:48:42
The second one that Jeff will slide up to or down to.
SPEAKER_04
00:48:46
Of the front.
SPEAKER_24
00:48:48
Yeah, I think just the front is fine.
00:48:51
is a little bit more deeper, more expressive.
00:48:55
Actually, this is the same one, so we need to go to the next one.
00:48:59
Sorry.
00:49:01
A deeper entablature.
00:49:03
The owner can see doing this with a style of house.
00:49:07
He'd still prefer the solid panels on the railings, but he is open to metal railings if that is deemed more desirable by the board.
00:49:17
and I'm skipping over the side elevations because they're sort of self-explanatory and then the third option
00:49:24
is a hip truth that, again, has the same choice of metal railings or solid metal panels.
00:49:31
Again, the owner would prefer the solid panels for the porch for privacy and for the coloration when you see that color.
00:49:37
So the first question for the board is, you can talk about it when you get to discussion, the three roof forms.
00:49:44
And then the next question is going to be on the paint colors.
00:49:52
and we can go to
00:50:12
The siding color is a light gray, I mean a medium gray that has some blue cast to it.
00:50:23
The lighter color called half sea fog would be the corner boards and cornice color.
00:50:29
and the darker green would be for front door or garage doors or possibly a black because the windows and doors will be at this point are planned as ebony from Marvin Elevate windows which are is a black tone.
00:50:46
So those are colors for you to consider.
00:50:50
and then the last, actually there's two more, if you go to the very last drawing that was submitted, this one, all of our entry gates had lined up with the front of the house which is at the
00:51:05
requisite setback from zoning.
00:51:08
But we actually think those gates are best pulled back towards the back of the front portion of the building.
00:51:14
And in this case, it coincidentally aligns with the downhill neighbor's porch so that there's no projection of that retaining wall in front of their house.
00:51:24
There'd be gates that would swing out and a human door that would swing in, but they would look pretty much like a solid panel fence, if you can go back to the elevation.
00:51:38
Thank you very much.
00:51:40
So they would appear to be just solid doors, but they will have recessed flat panels, much like the garage doors that are spec'd beyond.
00:51:50
OK?
00:51:52
Thank you.
SPEAKER_15
00:51:57
Are there any questions from the public?
00:51:59
And bear in mind we'll have comments in a couple of minutes.
00:52:05
Yes, please.
00:52:08
I know you've been here before, but if you could state your name and your address.
SPEAKER_12
00:52:11
Sarah Johnson, 500 Park Plaza.
00:52:15
My question is not germane to the exact details of that presentation.
00:52:21
I simply wanted the architect for the applicant to clarify how much the house has been lowered in height.
SPEAKER_24
00:52:45
We've lowered the overall house form by two feet.
00:52:51
We've lowered the ground floor one foot, so everything related to the downhill's neighbors one foot lower, all the floors lowered.
00:52:59
The second floor ceiling line came down and cornice was adjusted so that it's a full two feet shorter than it was before.
00:53:08
Thank you.
SPEAKER_15
00:53:09
Any other questions from the public?
00:53:13
And if you're online, please raise your hand or press star 9.
00:53:17
OK.
00:53:20
Questions from the board.
00:53:21
Breck, do you want to go first?
00:53:25
That'd be easier if you have any questions.
SPEAKER_03
00:53:26
Sure.
00:53:27
Could you clarify how tall the panels gate to the parking court?
00:53:34
How tall is that proposed?
SPEAKER_15
00:53:38
Yes, please.
00:53:40
Or we can make a list and you can two-haul one so that would be better.
SPEAKER_24
00:53:43
That's fine.
00:53:44
I heard him say gates, but I didn't hear his question.
SPEAKER_03
00:53:47
How tall is the gates to the parking court?
SPEAKER_24
00:53:52
Six feet.
SPEAKER_03
00:53:57
And I guess my only other question is, you described the solid panels on the porches as etched solid panel.
00:54:08
I assume you mean this is a wood product or a composite?
SPEAKER_24
00:54:12
Like a composite panel, MDF, and it'll have a recessed groove describing that oval shape, but not penetrating all the way through to the back.
00:54:22
So it's just really going to be seen in relief.
00:54:26
In fact, I think in the dark color, it's going to be hard to see at all.
SPEAKER_15
00:54:31
Just in case.
00:54:34
Are there any other questions from the board?
SPEAKER_24
00:54:53
Yes, it is that if not an inch or two shorter by the time we settled with stud limits and things I have a question on color The
SPEAKER_13
00:55:06
Board here shows black, but your rendering was sort of a bronze.
00:55:10
Are you definitely?
SPEAKER_24
00:55:12
The windows are planned to be black.
00:55:14
The bronze was showing up in the gutters.
00:55:16
We just want to make sure we can get pre-finished half rounds and round downspouts in black as well.
SPEAKER_13
00:55:21
So if you can, they would be black.
SPEAKER_24
00:55:23
Much prefer that.
00:55:24
Yes.
SPEAKER_05
00:55:29
Other questions?
00:55:30
Yeah, sorry.
00:55:32
You've got possibly doors with the dark green and then doors and windows with the ebony.
00:55:39
The gates for the parking court would be which?
SPEAKER_24
00:55:45
I believe what we had originally had was that the fence or the gate would be a dark green perimeter with a siding color inner panel, but we can make them all dark green if you want it to be more monochromatic.
00:55:59
We want to tie them into the house color if we can.
00:56:03
But the garage doors would be all solid, just black or dark green.
SPEAKER_05
00:56:09
Okay, thank you.
SPEAKER_15
00:56:14
Alright, are there any comments from the public?
00:56:18
We'll start with the public that's in the room.
SPEAKER_20
00:56:24
Hi there.
00:56:26
My name is Roxanne White.
00:56:28
My husband David and I live at 505 Park Plaza.
00:56:31
We are named the downhill neighbors.
00:56:34
So I've got three points I'd like to make tonight.
00:56:37
The first one is I want to kind of revisit the bar's decision that allows the driveway in the front of the property.
00:56:45
We understand that the bar has to adhere to your guidelines, that even though we feel the size of the house, the height is still larger than the rest of the neighborhood, that you have guidelines that 200% that allows the building to be built the way it is.
00:57:02
So we accept that that approval is based on these guidelines.
00:57:06
What we don't understand, and that is why there's a very explicit bar guideline that states that a front driveway should not be allowed if there's parking available in the rear, and that this guideline is not being followed.
00:57:21
Even though parking is available on the rear of this property, the bar has been silent about allowing a front driveway plus two garages.
00:57:30
So the question is, why doesn't this guideline not apply in the same way that the height and the footprint guidelines are used to drive the mass and the height decisions?
00:57:40
When rear alleyways and easements are used throughout the city to provide parking access, why is this option not applied to this property that actually has a rear easement already available?
00:57:53
And why doesn't the driveway guideline apply to this property?
00:57:57
It doesn't feel like it's an equitable application of the guidelines.
00:58:03
A second point is that we are requesting that a permanent green hedge
00:58:09
be planted to screen the property from our porch living spaces.
00:58:13
The driveway and the parking court are right on the edge of our property.
00:58:18
In fact, the proposed brick retaining wall, and I'm not sure what the size of that is, couldn't see that in the drawings, but that wall is right on the property line, which is less than five feet from the edge of our porch.
00:58:31
The owner's plan is to take down the current hedge, which will remove the only site and the sound barrier we have between our outdoor living space and their retaining wall, parking court, and garages.
00:58:43
So what we're asking for is that the old hedge, which is going to be replaced, that it be replaced with some type of a substantial living green hedge to provide a visible and auditory screening for us.
00:58:56
Our property does not have enough space to plant screening between the property line and our covered porch.
00:59:03
So we're asking that the owners plant the green barrier on their property.
00:59:09
and when we look, we based on the mass proximity of their whole structures next door with the garages, the porches, and the ADU in the back, we actually request that the owners screen these buildings with a permanent green hedge along the length of the property.
00:59:28
The third issue is that we just request that the bar require that the street trees be planted in front of the house as a condition of approval.
00:59:36
That's been discussed before, but it was not presented back in any new drawings.
00:59:42
That's all.
00:59:43
Thank you very much.
SPEAKER_15
00:59:44
Thank you.
SPEAKER_14
00:59:49
Are there any other comments from the public?
SPEAKER_12
00:59:57
I'm Sarah Johnson, 500 Park Plaza owner.
01:00:01
I just wanted to associate myself with Mrs. White's comments about the driveway and the bar guideline.
01:00:12
on the availability of parking access in the rear.
01:00:15
This is the third meeting in which we've raised this issue and I think the disregard of that guideline is clear.
01:00:29
It was not tested, tried, examined.
01:00:33
It was just rejected out of hand.
01:00:36
The second thing I wanted to bring up was the color.
01:00:41
The whites also had a problem with the color that's been proposed here.
01:00:46
It might be medium gray, but the blue cast is very pronounced, and I think it's really going to read very blue.
01:00:56
In my written comments, I described the colors of the seven
01:01:00
residential buildings that surround the subject property and I just don't see the fit.
01:01:06
I don't see how they're complementary or are in sync with the current context.
01:01:13
I think this blue color is intrusive and I wish you would reconsider it to be more gray, less blue.
01:01:25
Thank you.
SPEAKER_15
01:01:30
And if our public online has a comment, please raise your hand or press star nine.
01:01:38
Okay, no one else from the in-person audience?
01:01:41
All right.
SPEAKER_19
01:01:49
My name is Mary McKinley.
01:01:52
I've lived for over 40 years at 510 Park Plaza, so I'm just two doors down from Sarah and diagonally across the street from Roxanne and David White.
01:02:09
And I just want to add my word of support to the objections that they've raised, both the
01:02:16
the driveway, the proposed barrier that will allow some privacy to the White's outdoor living space and I'm also concerned about the color that seems to be a more brighter blue and is
01:02:36
doesn't really fit in with anything else in the neighborhood.
01:02:41
So I'm just seconding the remarks made by Sarah Johnson and David and Roxanne White.
SPEAKER_15
01:02:52
Thank you.
01:02:57
All right, unless there's anyone else who wants to talk, we'll move on to comments from the board.
01:03:04
Breck, if you don't mind, I'm going to start with you again, if you have anything.
SPEAKER_03
01:03:08
You're going to put me on the spot each time, huh?
SPEAKER_15
01:03:11
You can ask me.
01:03:12
I mean, you can request me.
SPEAKER_03
01:03:14
That's fine.
01:03:15
That's the price for not being there in person, I guess.
01:03:22
Can you guys hear me OK?
SPEAKER_15
01:03:25
OK, I'll try to speak up.
01:03:26
Thank you, everyone.
01:03:27
I have a few comments.
01:03:30
One is I think that the ice I do.
01:03:34
I still have reservations about the
SPEAKER_03
01:03:55
Driveway access on this project.
01:03:59
And to be clear, nothing has been approved on this project.
01:04:04
We have had discussions and we have hopefully guided the architect, taken our guidelines and comments from the public into consideration.
01:04:15
I still do feel that the access from the street is
01:04:21
Not in keeping with the district.
01:04:26
That being said, I also acknowledge that the architect is doing a number of things to try to mitigate a very unusual kind of situation.
01:04:36
So I continue to weigh that balance of those things for an unusual site.
01:04:44
With those things being said, I believe that moving the gate back from the street is a positive development.
01:04:52
I do not think that six foot tall gate is appropriate or even allowable in our guidelines.
01:04:58
I would think that this tends to fall under the
01:05:01
under the realm of a front yard fence.
01:05:05
And so I think a reasonable limitation on that height would be four feet.
01:05:09
And I think it still would provide the kind of screening that might be necessary.
01:05:14
So an opaque fence in that regard might be a good thing.
01:05:22
As to the three design decisions or the
01:05:31
The porch options, I feel that either the deeper entablature or the deeper entablature with the hipped roof are more successful.
01:05:43
The very first one feels a bit thin to me and as a bit of an afterthought.
01:05:51
And I have concerns with the etched
01:05:56
panel as a long-term design solution.
01:06:02
It feels like it's going to have significant weathering and material challenges for the kind of exposure both to light and moisture that it's going to receive.
01:06:13
So I'm not convinced by the strategy of having an etched solid panel in that location.
01:06:22
I'd also note just that the
01:06:26
Lower retaining wall is almost certainly going to require a guardrail given the height above existing grade.
01:06:35
And presumably a metal rail might be a good solution there.
01:06:40
And so that's something I feel like should be thought of at the same time as some of these porch details.
01:06:48
And the landscape plan is not
01:06:52
Shown here are the subject of the conversation.
01:06:54
I do agree with the comments from the public and previous comments from the VAR that finding some potential for larger canopy scaled trees would be both a benefit to this particular house but to the neighborhood as a whole.
01:07:12
So those are my comments.
SPEAKER_15
01:07:17
Anyone else?
01:07:26
Yes, please.
SPEAKER_05
01:07:31
My personal opinion, I actually like the, in terms of the porch, personally I like the hip roof on the porch.
01:07:40
I like the railing, that one basically, but that's just me.
01:07:45
I think the roofline matching the roofline of the house makes sense.
01:07:51
In terms of color, I'm curious if the actual color samples were shared with maybe the neighbors because I did read the letters that were submitted and I think
01:08:05
You know, they pointed out some neighboring AUDs where the blue is pretty bright.
01:08:14
And I'm kind of just curious if, I don't know if the applicant's willing to share this or... We're welcome to show it to them, but I have not shared it.
01:08:23
Okay.
01:08:24
I'm just curious, because this doesn't look as bright blue as, say, the rendering makes it look.
01:08:30
It's in my eye.
SPEAKER_25
01:08:31
Thank you.
SPEAKER_05
01:08:40
So, but I also agree and support the neighbor's assessment that kind of keeping it more on the gray side as opposed to the bright blue would be more appealing.
01:08:53
I don't know, Carl, if someone's asking to speak.
SPEAKER_15
01:08:57
Let's get through some comments first and then we can come back to you.
01:09:00
Is that right?
SPEAKER_12
01:09:01
Okay, yeah, I just had a question.
01:09:05
My question was, isn't the way the color reads a function of the size of the property?
01:09:14
I mean, we're talking about the size of the entire house, except for above the foundation.
01:09:20
And isn't that a factor in terms of the perception of color?
SPEAKER_05
01:09:24
I mean, I think there's a lot of factors.
01:09:26
Light, also, whether it's sunny or cloudy outside, all those different things are going to factor into it.
SPEAKER_12
01:09:33
Our guideline made reference to size, the size of the structure being a factor in determining color.
01:09:40
That's what I'm trying to understand.
SPEAKER_15
01:09:46
I guess we can look at, but you guys do have the samples to look at now, which I think is the important thing.
SPEAKER_05
01:09:50
In terms of the driveway access, I mean I think it's unfortunate.
01:09:59
I do think that there are neighboring houses that have driveway access off the streets.
01:10:04
I guess it's a, does it matter which street it's off of?
01:10:10
I don't know.
01:10:15
So that's tricky.
01:10:17
I do appreciate the applicant lowering the overall height of the house.
01:10:21
I think that's something we've been trying to get through.
01:10:23
So I think that's been helpful.
SPEAKER_07
01:10:30
I'll go next since I'm sitting next to you.
01:10:34
And I feel obliged to go through the questions, touching other issues as well.
01:10:42
So with the portraits, I think I'm in agreement with everybody else.
01:10:47
I think two, three is probably the way to go.
01:10:50
The first one looks a little underdeveloped.
01:10:54
the deeper entablature.
01:10:57
I'm kind of up in the air as far as which one of the two and three is more appropriate.
01:11:06
So that's number one.
01:11:07
Number two, the colors don't offend me.
01:11:10
I think that I don't think they're outlandish.
01:11:13
I don't think that they're out of
01:11:15
You know, I'm out of sort of the spectrum.
01:11:20
But then again, I don't live on the street.
01:11:23
And so I don't have as a personal, I guess, attachment as some of the folks speaking tonight.
01:11:30
I might propose that the owner architect take some of the comments and see if you can come up.
01:11:41
I mean, this isn't a final.
01:11:43
So, you know, when I do paint colors and selections, I'm always coming up with two or three selections.
01:11:50
Sometimes that helps me inform the original one that I've kind of fallen in love with.
01:11:56
And so, you know, if there's a willingness to bring some other suggestion, another palette or an alternate or two,
01:12:04
I think that would help the conversation and also address hopefully address some of the clients concerns and we may find that in comparing those colors to for instance the brick which I think is really important how red the brick is may depend or may form the
01:12:26
the color of the blue that you choose.
01:12:28
That might be a really helpful conversation to have for both you and the surrounding neighbors.
01:12:38
The driveway, I agree with the argument that the neighbors are making about you only place the driveway in the front yard only when there's no access to the rear.
01:12:51
I think in this particular case, in my mind,
01:12:56
The argument has been that for what the owner wants to do with the multiple car garage and access, it seems like this is apparently the only place that can happen.
01:13:12
I do think that a six foot high gate is a little out of character with the neighborhood.
01:13:25
The neighborhood seems to be about transparency.
01:13:29
It isn't a walled, gated kind of a place.
01:13:33
So I think maybe there's some more thought that needs to be paid to the height than maybe even the permeance of the gate.
01:13:44
Maybe there's a little bit more see-through than some of the images that were shown.
01:13:54
I actually think that the idea that's come out of the neighborhood about having some sort of additional hedge that's somehow planted next to the brick wall is a good idea.
01:14:10
I haven't seen pictures of what that brick wall is.
01:14:21
I'm assuming it's solid, but I wonder if it has to be solid.
01:14:26
We've seen brick walls that aren't completely solid but provide the sort of privacy that's required.
01:14:34
I wonder if there's a way to
01:14:41
maintain some version of the hedge with the sort of permanence of a brick wall that you want, but also make that boundary in some way have a little filtering effect.
01:14:57
that allow light through and provide the neighbor next door with the same kind of, or the similar kind of light that comes in.
01:15:10
I think it's like the paint colors.
01:15:13
It's certainly, I think, worth the investigation for both the owner's side and the neighbor's side.
01:15:28
That's all I have.
SPEAKER_13
01:15:30
Thank you.
01:15:36
I agree with a lot of what has been said, especially regarding the porch detailing.
01:15:42
I think the heavier entablature and the low hip roof are more in keeping with the detailing that you would see in this neighborhood.
01:15:52
I have some concerns with the solid panels and especially with the etched circles and ovals.
01:15:59
That seems like it feels like a metal rail or some sort of open rail will feel lighter and nicer in this application.
01:16:12
I'm coming a little bit late into this conversation.
01:16:14
I know you've all talked about driveway access.
01:16:17
I think more could be done to screen the driveway between the neighbors.
01:16:23
And I think David was sort of alluding to that, that there could be a more kind of lattice or architectural plus landscape screen there.
01:16:39
I also don't find the colors to be that strong.
01:16:42
I did when I saw the rendering, but what I'm seeing today, you might be able to take the value down a little bit, but I don't think the hue is anything outlandish at all.
01:16:58
That's all I've got.
SPEAKER_17
01:17:03
In regards to the roof of the porch, I think my favorite would be the hip roof.
01:17:11
I don't really have a problem with some of the other choices, but I would agree that the hip is most fitting in with the rest of the house design.
01:17:22
and agree with the statement about the railing being something that has some transparency to it.
01:17:30
The metal railing I think would be a lot nicer than the solid panel that I think would feel pretty heavy out on the front face of the house.
01:17:43
Looking at the gate wall, I appreciate the move.
01:17:50
to move to recess it further back on the site, but do agree that the height does seem to be too tall.
01:17:59
And I'm looking at the front elevation, and I know that the wall along the sidewalk is much further towards the street in plan, but it seems like you can draw a line
01:18:16
from that wall in elevation and that you're getting at that four-foot line.
01:18:21
So it might be something that you could carry as the sidewalk wall turns towards the house and then towards the gate.
01:18:33
I'd also agree that I think the gate as solid panels seems like something that could be looked at as a transparent metal railing in language with the railing on the porch.
01:18:50
I also agree with the statements of plantings that we've seen previously out at the sidewalk and also a screen between this house and the neighboring house on the driveway side would, I think, help screen the house a lot and be a welcome piece to the design.
01:19:15
In regards to the driveway itself, I think the applicant did a good job of showing examples in the neighborhood in the design district that have driveways and feel that it's not totally out of character to have the driveway on this design.
01:19:33
And then in regards to the colors, I would kind of echo what a lot of the board members are saying in that the rendering felt very blue, but the paint colors submitted do feel more muted and don't feel out of place.
SPEAKER_15
01:19:56
This is a residence, so I know when I review these I tend to, I like to leave a lot of latitude to the designer because it is a residence.
01:20:08
I have my preferences for the porch.
01:20:11
but I know you guys are trying to go for something a little more contemporary and streamlined so I would not deny any of the options that you presented so if your client prefers one over the other I'd be willing to accept that.
01:20:27
I do recognize some of the comments that have been made about the solid panels on the porch and do wonder about that but again if that's your preference
01:20:41
Personally, I would leave it.
01:20:44
It would not be cause for denial for me.
01:20:47
Color, I have absolutely no problem with the color you've presented.
01:20:53
The driveway, you have a topographical challenge.
01:21:01
You do have the ability to park one parking space in the back.
01:21:07
you know it's if you want to have more than one parking space yes you will have to use the front and I think that is a what you're doing is you're attempting to conceal the parking with the gate and the high brick wall around it and we do have precedent for parking courts in people's front yards we you know having a garage in the front yard is a big no-no
01:21:32
but you are working very hard to conceal that.
01:21:38
I don't have a concern with the six foot high wall and fence.
01:21:42
It's behind the front facade of the building.
01:21:44
You've said it back, I think you said six feet behind the front facade of the building.
01:21:49
We tend to allow six foot tall privacy fences as long as they are set behind the front facade of the building.
01:21:55
So I see no problem with the guidelines with your gate and wall as you've presented it.
01:22:02
In fact, I think it does a lot to conceal the fact that there is a parking court back there.
01:22:08
I recognize the neighbors' concerns about losing the hedge and having that green wall there that's going to be gone, but if you were to put a privacy fence right against the wall,
01:22:20
We'd have to approve it generally.
01:22:22
So I don't think we can make you put a hedge there.
01:22:25
At least I personally don't think we can do that.
01:22:28
If you can find a way to soften it or green it up somehow, that would be fantastic.
01:22:32
Unless you're the designer and your client's going to have to look next door to their neighbors.
01:22:40
If you can come up with a solution, that would be great.
01:22:44
The comment about the pierced brick sounds great until I start thinking about headlights.
01:22:50
So I don't know if the neighbors want to have headlights shining into their porch if you start putting holes in the brick.
01:22:57
Sorry, it was a great idea.
01:22:59
That was my first thought was headlights are going straight into their house.
01:23:06
Let's see, what else was I seeing?
01:23:10
Yeah, I think I got your questions, so yeah, that's it for me.
01:23:18
Any follow-up comments or do you have any questions for us?
01:23:22
Yeah, why don't you ask us some questions and maybe we can, if we have more to say, we'll... Is this my three minutes or whatever it is?
SPEAKER_02
01:23:32
Yeah.
SPEAKER_24
01:23:35
Let's see.
01:23:36
One drawing, I'll take this one back, but I just wanted to show you that people have been talking about this giant parking court and the number of vehicles that could be stacked there.
01:23:47
And I'm just going to, one's at a larger scale, so since you guys are split, I'll just pass this around.
SPEAKER_27
01:23:58
I know that's going to be fun to get out of this.
SPEAKER_24
01:24:10
I think that helps put it in perspective.
01:24:13
It's going to be a tight, tight radius to get a vehicle into the side yard.
01:24:18
The reason that the doors of the garage are recessed another eight feet back.
01:24:23
So that's why that other part is colored lightly because the face of the building is out where that car is.
01:24:30
The next thing is we have an option
01:24:35
Not preferred because there has been discussion of shielding the courtyard, which we could do with just a privacy fence that could have a gate that could open up and you could drive in if you wanted to bring in a load of mulch or whatever.
01:24:46
But we think the piers and the gates actually give some formality to it rather than just a fence.
SPEAKER_27
01:24:53
But we do have another option.
SPEAKER_24
01:25:07
So thank you for tolerating the sort of few questions we asked.
01:25:11
We actually met with our landscape architect today and came up with some solutions for plantings.
01:25:18
I do think I don't want to offend anybody.
01:25:21
I have to be polite.
01:25:23
But if you don't have room on your own land to do screening, it is not appropriate to ask your neighbor or force your neighbor to provide screening for you.
01:25:33
That's just the way it is.
01:25:35
We have made offers and met with a downhill neighbor and have suggested some opportunities and haven't really
01:25:43
progress very far in that discussion.
01:25:45
So we've gone ahead and designed what we think is appropriate there, and you will see that in the final.
01:25:51
The brick wall, to clarify, that's on the right of the brick piers for the driveway.
01:25:57
is on the downhill side, 3 foot 11 and 7 eighths.
01:26:02
So it's at 4 feet, which is this height.
01:26:04
It is 1 foot above the parking court.
01:26:07
So there are no opportunities for pierced brick.
01:26:10
We will be putting on top of that a 2 foot metal railing.
01:26:14
And we have plantings planned to train across that to provide screening.
01:26:20
But note that that will only take it to 6 feet.
01:26:24
Jeff, can you go back to the site plan with the gates?
01:26:27
I guess that's the last drawing.
01:26:32
If you notice
01:26:36
where the words begin in the middle.
01:26:39
The next door neighbors have a six foot ten fence which we are going to be showing you in our side elevations when we submit them for final.
01:26:47
So with our four foot wall and our two foot railing, we are still not going to be at the height of their fence which covers 19 or 20 feet of their porch.
01:26:56
They have 17 feet exposed of their porch.
01:26:59
of which we will be planting pretty significant shrubbery, except for the little bit of the courtyard, which will allow for that.
01:27:08
We're planting at either end of the courtyard and letting it train fully across that.
01:27:13
So there will be a two foot tall green wall.
01:27:17
But
01:27:19
It's not really appropriate in my mind to say that we must provide the screening if someone else doesn't have the room for it on their own land.
01:27:28
So we are going to be providing the full landscape things and I appreciate that.
01:27:32
Street trees will also be coming back, but there is an overhead line that goes right through the sidewalk.
01:27:38
That's what that dark line is.
01:27:40
So the amount of space that is allowed for a street tree is barely going to be on the left corner at the old hedge street.
01:27:49
We have one, it's not a giant tree, because if I drew on there a 40-foot canopy of an oak tree, a quarter of the house would be covered.
01:27:58
So we'll show that to you to explain why a large street tree is not going to fit on this property.
01:28:04
But we are going to have some nice trees planned for this.
01:28:10
Let's see.
01:28:10
I think, Brent, somebody talked about needing a guardrail, and I don't know which retaining wall they were talking about.
01:28:23
Were they talking about the one for the courtyard, the parking cart, or were you talking about the front?
SPEAKER_03
01:28:28
No, in the front, because of the elevation that you showed with at least six or seven to eight risers behind it, if you're above 30
01:28:38
inches above adjacent ground, or you will be required to have a guardrail.
SPEAKER_24
01:28:43
Are you talking about the wall at the sidewalk?
SPEAKER_03
01:28:46
At the street.
SPEAKER_24
01:28:47
Yes.
01:28:48
So it's been our experience that if there is a significant planting bid between that and the edge, and we can show you dozens of examples in the city, they will not... That's fine.
SPEAKER_03
01:28:59
If it's not our issue to enforce the requirement of a guardrail, I would just be... I'm just anticipating that you might be required to have one there.
SPEAKER_24
01:29:10
Right.
01:29:10
We appreciate that.
01:29:12
There won't actually be lawn.
01:29:13
There will be just shrubbery.
01:29:14
So you'll have to work hard to get to that edge.
SPEAKER_03
01:29:17
And sometimes that works.
01:29:19
As a landscape architect, I can tell you sometimes that works, sometimes it doesn't.
01:29:23
Depends on who's who's who's allowing it.
SPEAKER_24
01:29:26
Exactly.
01:29:28
Let's see.
01:29:30
Thank you for the comments on the roofs and the railings.
01:29:34
I think one of you had concerns about the weathering of it.
01:29:37
You know, if we use ASEC panels, they are going to hold paint very well and not rot and decay.
01:29:43
So there will be some detailing done for those railings.
01:29:47
We're definitely going to go solid on the side because I think that's just a nice privacy thing to have, you know, three foot railings.
01:29:53
And on the front, we can discuss, we'll discuss with the client whether they need to be open railing or closed on that upper porch.
01:30:04
And we're all in concurrence with moving that gate back.
01:30:07
I think that just makes a big difference.
01:30:08
And that immediately puts all that parking, it's not in the front yard, it's actually behind the house.
01:30:13
So at this point it just happens to be there's another piece of the house behind that.
01:30:18
So I feel pretty good about that being not in the front yard.
SPEAKER_07
01:30:23
I have a question about the doors, the two doors, one on top of each other.
01:30:27
Has that style been selected yet?
01:30:30
I'm looking at a rendering.
01:30:32
In the rendering, the second story door is mostly glass.
SPEAKER_24
01:30:37
That's probably from the 3D, the old 3D.
01:30:40
The current hardline elevations are what are ruling.
01:30:44
Client has seen a lot of these portal doors that sort of go along with some of the styling inside and some things that he's trying to do outside.
01:30:51
So that's the style that we're going to be going through, and we can show you some pictures of those.
01:30:58
A little unusual, but I think it's going to be somewhat fun, and we'll see where that goes.
SPEAKER_15
01:31:09
Yeah, thank you.
01:31:11
Any last-minute comments from the board?
01:31:17
And Ms.
01:31:17
Smith, do you feel okay to move on to next month?
SPEAKER_24
01:31:20
I think we're ready to bring the final choices for you guys.
01:31:24
Thank you very much.
SPEAKER_15
01:31:24
Okay, thank you.
01:31:30
I apologize.
SPEAKER_21
01:31:32
I just wanted to know the height of the retaining brick wall on the property line.
SPEAKER_24
01:31:44
I described that as three foot eleven and seven eighths from the ground, four feet on your side, four foot on the parking court side.
01:31:52
So for the two foot railing, because we do have to have that so you don't fall off.
SPEAKER_15
01:31:57
So for the public that's listening in, if there is anyone listening in, the question was the height of the retaining wall on the parking court.
01:32:05
And it's about four feet with a two foot metal railing on top from the downhill neighbor side.
01:32:10
Thank you.
01:32:12
All right.
SPEAKER_15
01:32:14
Thank you, everyone.
SPEAKER_03
01:32:15
We need to request a deferral.
SPEAKER_15
01:32:17
Oh, yes.
01:32:18
Thank you, Breck.
01:32:21
This is why I'm not chair anymore.
SPEAKER_23
01:32:23
I'd like to request a deferral.
SPEAKER_15
01:32:26
I'll move to approve the deferral.
01:32:28
Do we have a second?
SPEAKER_17
01:32:29
Seconded.
SPEAKER_15
01:32:31
All in favor?
01:32:32
Aye.
01:32:33
Aye.
01:32:34
Aye.
01:32:34
That's everyone.
01:32:37
Thank you, Breck.
01:32:43
All right, finding our next item.
01:32:48
Somewhere in here.
01:32:51
Our next item tonight is 507 Ridge Street.
01:32:54
It is a demolition request.
SPEAKER_04
01:33:02
507 Ridge Street, it is in the Ridge Street ADC district.
01:33:06
Both the house and the cottage at the rear are contributing structures.
01:33:12
That's why the demolition of the cottage is before you.
01:33:18
This is known as the GNNE Bailey House.
01:33:21
It was built, it looks to be around 1895.
01:33:26
has kind of an interesting Mr. GNN.
01:33:29
He built it and appears to have sold it in two years and then five years later moved back in and a few years later was out again.
01:33:36
So it's doing some tracking of who was there and when.
01:33:41
It's quite a lot of people.
01:33:46
So, and this is a request from the property owners to, and I'll scroll down, there is in the back
01:33:54
Yard.
01:33:54
It's identified as a servant's cottage.
01:34:01
I've gone extensively through the census and other information, and I cannot at any point identify
01:34:11
anyone at that residence that was listed as a servant now that may have been happened during between census years.
01:34:20
I think if anyone, I know that the G&E's employed someone when they lived in a house in 1910 down on Market Street so possible that this was constructed with that individual living there.
01:34:37
As I think I've shared with you on the Sanborn maps,
01:34:41
I'm pretty sure it's moved at least once, possibly twice.
01:34:44
While referring to it as a servant's cottage, I think it's probably traditionally served as a shed.
01:34:56
myself, Molly and Mr. Zehmer went out to the site, walked around and spent some time with the owners, spent some time in the house, which was a beautiful house, and the situation such that
01:35:16
and I think I've expressed it in the staff report.
01:35:18
It's not in terrible shape, but it's not, I mean it definitely needs some TLC.
01:35:34
Recommendation would be, unless the VAR considers the request, preference would be to find another home for it.
01:35:46
I know that the ladders have a plan for something else here, or something in their backyard, possibly to even relocate on the property, at least to give it a stay of execution, if that would help.
01:36:03
I think this is a difficult one because reading the guidelines very clearly would not support a demolition recommendation.
01:36:15
But I think, and I didn't mean to sound too lawyerly in my staff report, but sort of lay out what the options are for the city and so that everybody understands what the options are.
01:36:28
The BAR can approve the request.
01:36:32
in which case it's allowed demolition or even offer direction on allowing it to be relocated elsewhere.
01:36:41
The BAR can deny that request, in which case that is appealable to city council by the owner.
01:36:50
In circumstances of an appeal related to demolition, there is a process
01:36:57
by which I laid it out in here and I haven't had to deal with the demolition at that, you know, far into the game so I don't, I'm speaking more from reading the ordinance and not having gone through it but there would be a process by which the property or the building could be offered at a market rate and I believe it's something by the code
01:37:25
because of the cost or the valuation of this would be a couple of months.
01:37:28
If no one offered to purchase it, then the demolition would be allowed.
01:37:33
So there's, and I offer that because the solution,
01:37:43
trying to find a solution is probably the best option to saving this structure because I guess getting into a disagreement about it, I fear that the building is then going to be what loses.
01:37:59
And then the last thing I'll offer is that the
01:38:02
You all have an option.
01:38:05
You do not have to take action tonight.
01:38:06
BAR can defer something once.
01:38:09
An applicant can certainly defer it if they wish.
01:38:13
If you all defer it, then it would come back.
01:38:15
A decision would have to be made at the December 20 meeting.
01:38:21
But if that was necessary in my recommendation to
01:38:25
sort of pursue or discuss some options, maybe that would allow that conversation to happen.
01:38:31
So, as I said, I've got, I think I've shared the photographs.
01:38:37
It's, well, it's in the report, and I know Mr. Lauder and his wife are here tonight to, I believe, present their side, and you all are here to listen.
01:38:50
So, with that,
SPEAKER_08
01:38:53
Clayton, it's all yours.
SPEAKER_04
01:38:56
And I can flick through or not, whatever you want to do.
01:38:59
Thank you.
SPEAKER_10
01:39:00
All right.
01:39:00
Good evening, everybody.
01:39:01
It's actually Clayton, not Clayton.
01:39:04
No problem.
SPEAKER_04
01:39:04
Hey, no.
SPEAKER_10
01:39:05
All the time.
01:39:07
So thanks for allowing me to come address you this evening.
01:39:10
A couple of things I want to point forward by background.
01:39:15
We love the shed.
01:39:15
It's cute.
01:39:17
But it's a question of value tonight.
01:39:19
I've got an 81 year old father-in-law with limited resources living in an assisted living facility in Sandusky, Ohio.
01:39:29
He's got maybe enough money for 18 months at $8,000 a month to live in that facility.
01:39:38
His daughter, my wife, and her sister all are in Virginia.
01:39:44
One's in Washington DC, my sister-in-law, and my wife and I are here.
01:39:49
No other family under 80 years old is nearby him.
01:39:59
As I said, limited resources and little things like his driver's license expired.
01:40:05
There's no one there to help him get an ID.
01:40:09
right, except for the facility owners who are, and I don't know what your opinions are on assisted facility living situations, but they want every last dime you have and that's what we're facing.
01:40:23
It's a nine hour drive to Ohio.
01:40:25
that we have to pay at personal expense and time away from her children, our three special needs kids, two autistic and one type one diabetic in order to facilitate her seeing her father.
01:40:38
So that's one value.
01:40:41
The second value is this shed.
01:40:45
I know your report and I've read it and it's unremarkable.
01:40:50
It says it in the report, right?
01:40:53
The windows are busted out.
01:40:55
There's nothing but plywood on the floor.
01:40:58
Birds and a groundhog live in it.
01:41:01
The chimney is falling down.
01:41:03
It leaks.
01:41:04
It's been a great place for the last 13 years to keep my table saw.
01:41:08
But it's not intended for any living.
01:41:13
Were it a historic brick cottage, I would completely support renovating it.
01:41:18
One of the reasons we bought the home, and as Jeff said, is in such good condition, is we care.
01:41:23
I've been before you once already to get gutters because the roof was falling down.
01:41:28
We put solar panels in our backyard because we care about the environment and our footprint.
01:41:34
There are other things of value than simply maintaining a structure because it once stood.
01:41:44
Right?
01:41:45
So it's really a question of value.
01:41:47
It's a question of value of the quality of life for my father-in-law and his remaining days and how we can afford to keep him happy and well and engaged in life when his family is nine hours away and he sits in his chair all day long.
01:42:05
That's all he does.
01:42:06
Think about your family, your dad, your mom, your grandparents.
01:42:11
is that more important or less important than this?
01:42:14
I appreciate you all want to protect and value the history of this town.
01:42:22
I do too, which is why we bought the house, which is why I spent.
01:42:27
Thousands of hours ensuring that house is is a good house is a beautiful home.
01:42:33
But I don't think that this shack, which I do like, is more important than my father-in-law.
01:42:40
So.
01:42:42
We've got to find a way forward.
01:42:43
If you defer to, if we have to defer to December 20th, we will for a little while, but his funds are running out.
01:42:50
I don't know, any of you guys got 8K a month just lying around?
01:42:53
Because I know he doesn't.
01:42:56
Social Security is only $1200 a month.
01:42:59
We can extend, if he were to, and he's in great health, he may live another 10 years.
01:43:05
And if that's the case, we with an accessory building that we want to put there so that we can use the electrical and the water from the home, within code tastefully done, I'm happy to even, if need be, get approval from a design from you all.
01:43:25
But his life matters.
01:43:27
The value of his life matters more than this.
01:43:30
Thank you for your time.
SPEAKER_15
01:43:35
Thank you for that.
01:43:37
Are there any, do we have public?
01:43:41
Are you public or are you an applicant?
01:43:43
You're an applicant, okay.
01:43:45
Do we have any questions from the one online public?
01:43:48
Please press star nine or raise your hand.
01:43:54
Nope.
01:43:54
Okay, questions from the BAR.
01:43:58
Breck, you want to go first again?
SPEAKER_03
01:44:03
I don't have any questions for the applicant.
01:44:05
I guess I have questions for Jeff.
01:44:10
You stated that, you know, you haven't found evidence of this being a, I guess, having a resident from the census, but we have
01:44:22
multiple documents that suggest that this was one of the last servants quarters in this part of the city and it has a chimney in the structure which is not usual for an exterior structure.
01:44:38
I just don't know what other seems pretty clearly that there was somebody spending significant time here and we don't have much evidence to the contrary.
SPEAKER_04
01:44:48
Yeah, I looked for, I mean, there's a lot of information in census, also in city directories.
01:44:57
It's, you can kind of piece things together and then try to, you know, see what
01:45:05
If there's a gap, is there something on either end that suggests someone at this house?
01:45:11
I think it's very possible.
01:45:13
I think it would have been during the period that Mr. Giannini and his family were there, I think from 1897.
01:45:19
I don't have my dates in front of me.
01:45:24
I think the reconstruction of the, I think what I saw is
01:45:32
It does not look like this building's been there a long, long time.
01:45:36
And it's possible, I mean, I was thinking about if this were in my yard, I would have that there as something to warm the shop.
01:45:45
That was my first thought.
01:45:47
I just did not, it does not appear to me
01:45:52
to be in an original location.
01:45:55
That said, there's no denying this is something probably from 1895.
01:45:58
If it's associated with Mr. Giannini, it either occurred at 1895 or I think back then in 1901.
01:46:09
It definitely dates to the house.
01:46:13
I think it's unique.
01:46:15
I have gone through every survey of the Ridge Street Historic District.
01:46:19
I can't find
01:46:21
another cottage or servants quarters.
01:46:25
I find kitchens and things like that.
01:46:26
So in some ways they could say this is the only one I'm aware of.
01:46:33
But in the context of its setting and its association with someone there, I can't put someone there.
01:46:43
It becomes more or less a shed that dates to the house.
SPEAKER_15
01:46:52
Any other questions?
SPEAKER_13
01:46:54
I have a question for the applicant.
01:46:56
I was a little confused.
01:47:00
You're asking to take this down in order to build something else there?
SPEAKER_10
01:47:05
Yes, an accessory drawing unit.
01:47:08
A home for him, right?
01:47:10
That's what I thought, but I just wanted to know.
01:47:12
Yeah, no, no, sir.
01:47:13
I'm sorry for the lack of clarity.
01:47:15
So that we can have
01:47:17
Adjacent access for him, but he's not necessarily in the home So that there's a problem we can be there and we can get Meals for Wheels and we can you know build a something that adds value to the end of his life and then should one of our children fail to launch it so is common these days and
01:47:38
that would be appropriate as well depending on him.
01:47:41
But it's really trying, we have a great deal of land and some of it which is not in the historic area, but it doesn't make any sense from a utility standpoint.
01:47:57
Limited funds, he's got maybe $125,000, maybe $150,000 depending on the market.
01:48:06
That's not going to last very long at $8,000 a month in a persistent facility.
SPEAKER_13
01:48:11
Pardon me.
01:48:11
And one follow-up.
01:48:12
Yes, sir.
01:48:13
And you have looked at moving this on your property?
SPEAKER_10
01:48:16
No, we have not looked at it.
01:48:18
I don't, I mean, these are the experts.
01:48:21
If I try to put a forklift under there and move it, I know it's going to fall apart.
01:48:24
And I've moved a number of buildings with forklifts.
01:48:26
But again, I'm no expert.
01:48:29
You know, it's, I don't find it remarkable.
01:48:33
I think some of the wood in it,
01:48:35
is heart pine.
01:48:36
It's beautiful.
01:48:37
It could be milled and added.
01:48:38
I think Jeff indicated in his report that we would incorporate what was appropriate in the new dwelling because
01:48:45
It matters to us aesthetically to match the current home and make it look nice.
01:48:51
But from a functional standpoint, the building's falling down.
01:48:55
The footers are falling down.
01:48:57
It's rotten on the back if you want to go to the former picture.
01:49:00
I've got termites in there.
01:49:01
I've got, you know.
01:49:03
So I will tell you that we do not have the resources to provide the quote unquote TLC that you mentioned.
01:49:13
We don't intend to.
01:49:14
because it's not, it is not utilitarian enough to use for anything other than storage of materials or, you know, that's really it.
SPEAKER_07
01:49:27
Yes sir?
01:49:28
So have you looked at, I mean, is one of the reasons why you're demolishing it because you just don't have enough space, have you looked at a scenario where you might leave it and then build around it?
SPEAKER_10
01:49:41
No, we have not looked at that because it right underneath that is a sanitary line Right.
01:49:46
It makes the most sense and we don't want to eat up our entire backyard without buildings We kind of want to enjoy the space right?
01:49:54
It's a beautiful area.
01:49:56
So putting another building next to it and retaining that Aesthetically, no, we have not considered that
01:50:02
who we have considered down further on the property doing that, but that's cost prohibitive.
01:50:08
I've got to run additional electrical.
01:50:09
It's going to have to have its own service.
01:50:11
At this point, it is feasible to trench from its location into our basement and run electrical and run water.
01:50:20
Then I'm all on one meter and I meet the city's guidelines for an ADU.
01:50:25
So the notion of, again, we're a constrained family resource.
01:50:31
Right.
01:50:31
I mean, I'm sure you have applicants come in here who money is not an object.
01:50:34
We are not one of them.
01:50:36
Right.
01:50:38
So doing it for its own sake is adds no value in our world.
01:50:43
I'm sorry.
01:50:44
Did that answer your question, sir?
01:50:45
OK.
SPEAKER_15
01:50:49
Other questions?
01:50:53
All right, comments from the public.
01:50:58
Person who's calling in, if you want to press star 9 if you have any comments.
01:51:04
Nope.
SPEAKER_14
01:51:05
OK, comments from the board.
SPEAKER_15
01:51:11
If you want to go first, Breck, otherwise we can start.
01:51:14
Someone else can start.
SPEAKER_03
01:51:15
Up to you.
01:51:16
Sure, I'll go real quick.
01:51:19
I do think this is a remarkable structure.
01:51:21
I think it's pretty unique in what we've seen, what we reviewed, the history that's been given.
01:51:30
It tells a pretty interesting story about the house, the neighborhood, and the development of the city.
01:51:42
We are set up as a board to follow our guidelines,
01:51:50
For all of the personal stories and realities that I know are very present for the applicant, that is not part of our mandate and review process.
01:52:05
So just as we don't evaluate what is happening within the walls of the structure, we are looking to protect the historic fabric and character of our community where we can.
01:52:21
That being said, it's not to say that those things are any less real.
01:52:25
It's just that we're not the body to evaluate those other circumstances that would be City Council.
01:52:33
So I feel it's pretty, in my mind, it's very straightforward that this is a structure that we want to try to protect and retain.
01:52:45
I think it adds to the property and adds to our community.
01:52:49
And I'm interested in ways that we can do that certainly would be preferred to
01:52:56
protect it in place secondarily to protect it on the property.
01:53:01
And thirdly, to protect it in some other fashion.
01:53:06
But certainly, I think it does.
01:53:08
I think I do find it to be an intriguing and interesting, even in its smallness, an important part of our city's history.
01:53:20
Thanks.
SPEAKER_15
01:53:25
James, I'm just gonna go around the room.
SPEAKER_05
01:53:28
Sure I think Brett put it very well you know our purview is this is a contributing structure in the historic district and that's our duty to protect it.
01:53:41
I appreciate the applicants.
01:53:45
personal situation.
01:53:46
I think it makes it difficult, but I think our purview again is just to protect the contributing structures.
01:53:57
And I think that I did visit the site, I looked at the building,
01:54:03
You know, it's certainly in rough shape, but I've seen worse.
01:54:06
I think, in particular, looking under the building, there's a number of pressure-treated floor joists, so it's seen some care at some point.
01:54:20
There are some pretty easy ways to help mitigate some of the termite damage.
01:54:24
There's a lot of mulch piled up around the building itself that can be raked back.
01:54:29
just from a preservation standpoint.
01:54:31
I also, you know, in a way to try and meet the applicant's goals, I agree with Brecht that possibly relocation on the property would be an acceptable solution.
01:54:44
There's, you know, there's considerable room further down the hill.
01:54:49
I know there's a
01:54:50
There's solar panels further down the hill, but maybe even further down, I don't know.
01:54:57
That would sort of be, Breck laid it out perfectly.
01:55:01
Choice one is preserve it in situ and repair it.
01:55:04
Choice two is relocate on the property.
01:55:06
And choice three, I'd say relocate within the district, maybe, as opposed to just somewhere else completely out of context.
01:55:17
And our guidelines really discourage demolishing a building.
01:55:23
So I just don't feel like we could do that in good conscience and in following our guidelines.
SPEAKER_07
01:55:34
First of all, I just want to tell you that I sympathize with your situation.
01:55:38
I have a mother that's 93, and unfortunately she lives alone independently still, but I still go over there once a day, so I understand.
01:55:49
She's in town.
01:55:49
Yeah, we moved her here before, you know, code red.
01:55:54
So I understand, you know, what you're going through.
01:55:58
I do agree with my colleagues and that even if you don't see that thing as a remarkable structure, you might consider
01:56:12
seeing it in a different way and that it's remarkable for sort of the more overall what it kind of gives us as a little piece of the overall puzzle of our historic, you know,
01:56:29
District.
01:56:31
I live in an old house.
01:56:33
There's a certain weight that you carry when you're in these things.
01:56:44
We all have to make our own decisions about that from a personal standpoint.
01:56:49
Do we keep these windows that are drafty and they're single pane?
01:56:53
You know, I mean, it's a bit of a burden, you know, honestly.
01:56:58
But on the other side, when you look at those photographs, just that one photograph alone where you have the cottage in front of the old house, I mean, to me, that adds quite a bit of value to your property.
01:57:15
I mean, there's a wonderful sort of
01:57:18
connection of the smaller little house with the larger house in your yard.
01:57:24
It seems to have a sort of symbiosis relationship, at least in the photo that I was looking at.
01:57:31
But again, I think we're talking about biases here.
01:57:37
But what we're really here for is upholding the guidelines.
01:57:43
and so, you know, how do we do that?
01:57:48
You know, I don't know if, I mean, I'm looking at your site plan and I do see that the, you know, I'm not exactly sure what's going on in the rear of the yard.
01:57:59
I haven't been out the property.
01:58:00
I don't think it's necessarily a bad thing given the fact that the original location
01:58:07
of the cottage was further back.
01:58:09
I mean, I sort of like the idea of restoring it to an original location if it has to be moved.
01:58:18
It does seem like there's not a good amount of space.
01:58:26
to work around back there and I understand the proximity issue as far as cost goes.
01:58:33
So that, I don't know, that seems like a viable option to me.
01:58:37
It might be again a value-added thing where you might sort of develop some of the rest of the property further back to sort of extend that backyard.
01:58:48
this is me coming at it from a perspective of understanding the pressures that you feel but also wishing that there was a way to sort of view this thing for what it is which is a little piece of a much bigger history lesson and I think somewhere in the report there are some lines about every little bit you chip away you lose something so when you take those
01:59:17
single pane windows out of your 100-year-old house, you take a little something away from it.
01:59:23
And so our job here is to recognize these little, the big things obviously are easy, the little things are harder because we sympathize with the kind of positions that people are in economically, socially, and everything.
01:59:43
We don't want to be a burden in that way, but we are here to protect that fabric.
01:59:51
We're here to protect those stories so that we can keep this place as special as we know it is.
02:00:00
So those are my thoughts on it.
02:00:04
Tyler?
SPEAKER_17
02:00:08
I think I'm in agreement with a lot of the statements that the board has made and don't think I really have anything else to contribute beyond what has already been said.
02:00:17
I would encourage the applicant to try to find a way to relocate it on the site.
02:00:25
I do understand the applicant's desire to build and all the reasons.
02:00:30
set forth for trying to build an ADU in this location.
02:00:35
I guess my question for Jeff has been that we've mentioned the possibility of finding another home for it and what that venue would look like for finding another location.
SPEAKER_15
02:00:52
I don't think he heard you.
02:00:55
James, you just interrupted a question to Jeff.
SPEAKER_07
02:00:57
I'm so sorry.
02:01:00
We had somebody trying to get in the locked door there, so it's hard to interrupt.
SPEAKER_15
02:01:06
So that's a good thing to know.
SPEAKER_04
02:01:10
Time out?
02:01:12
No, no, no, sorry.
02:01:15
Take it back.
02:01:16
So, Clay sent me a note the other day and asked about, in the staff report, a C and a D, which, so there's, for whatever reason, there's two lists for demolitions.
02:01:29
And in the, I just, in the second list, it really just referred back to the first list.
02:01:35
And he said, well, where are C and D?
02:01:36
And I said, well, and I, I just realized,
02:01:40
they aren't they they weren't there so so now they're they're answered but I just would I'm going to I guess my suggestion is this just because if this does get into a situation where there's an appeal well let's let's you know do do the right steps so these and I I was like it's been on my list plate to say what now I know what I was yeah
02:02:09
yeah so it's always where I figured it was just word had just changed the lettering so and so there that's those were the three things and so the so as far as you know me being in fairness to the applicant I just want to point that out again the overall condition and integrity I think I stated it you know I've shared that we know that it was not an engineering report whether to what extent the
02:02:37
You know, means methods for moving or moving, you know, it is to be demolished clearly.
02:02:42
So, and so I don't, I don't see anything left out of the discussion, but it is absent in the staff report.
02:02:50
So I'll say that.
02:02:52
So, um, and you asked about moving or so, um, the there's, I mean, moving it to, it could be moved
02:03:09
Sorry, that's cut and paste from our guidelines and we need to fix the spelling.
02:03:16
Moving it to a site that is not within a district
02:03:21
I don't know what it would take to establish it as a contributing structure.
02:03:28
I don't know that step.
02:03:30
I know we've talked about, we've moved entire houses in this city without them losing their designation.
02:03:38
I know the one behind the church, not the one behind the, in front of Wurtenbacher where,
02:03:48
20 years ago they moved that house.
02:03:49
And then I know that there was a discussion of relocating the house on Preston Place.
02:03:55
So it's been discussed, the mechanism by which it would be protected, I don't know.
02:04:03
It would be, but it would, that's the piece to kind of try and figure out if that's the opportunity.
02:04:12
And in my conversation with Clayton, it was,
02:04:15
I said all the questions to him that you all had.
02:04:18
It's like, well, what about rolling it down the hill?
02:04:20
And he said, all right, then it costs to move it down the hill.
02:04:23
Then I got to maintain it when it's down the hill.
02:04:25
So that's where I'm.
02:04:27
I'm not trying to make a judgment on it, I'm saying is that they're, what's best for this structure?
02:04:34
And that's where in the zoning ordinance, yes, you can, if someone knocks this down, if they knocked it down without BAR approval, there's a fine.
02:04:46
I talked to the city assessor and they have a valuation of this at $2,700.
02:04:54
It would be the maximum the city could find someone for such a demolition would be not more than two times that value.
02:05:01
So there's one number.
02:05:10
If the building fell into disrepair, the city does have the means by which a contributing structure in an historic district, if it's not maintained, et cetera, et cetera.
02:05:25
I'm not entirely clear on, as you see in here it says, I think it's $200 or $500 and an X amount for every additional
02:05:37
incident.
02:05:37
It's sort of saying, all right, well, what does that mean?
02:05:39
And I know that there's a threshold, at least at which it won't go any further.
02:05:43
So there are there are ways we could compel this owner to not let something happen.
02:05:52
Um,
02:05:53
but in my conversations with them, they really don't want to put the expense into moving it, then moving it, then what's necessary to, the roof is in bad shape.
02:06:04
The bottom, in a sense, if it doesn't shed water.
02:06:09
So there's a cost associated with that and that's my concern is that these other avenues might lead to the building's loss.
02:06:22
Is there a way to find a solution?
02:06:26
That said, taking everything off the table of
02:06:31
how we you know feel about this the VAR could very just cut and dry say our job is to you know evaluate these guidelines and the remedy for that and Clayton I talked about this the remedy for that is an appeal to council so and and that's I think that is an option and that that's what built into the ordinance that that City Council then can consider those other things
02:06:57
So I think that's, so A, I would say, I think I would recommend deferral simply because if there's an appeal and a denial, you know, there's been this omission.
02:07:09
If you all feel like this omission is not significant, however it's spelled there, I don't think it is, but I think that the point is that it's available.
SPEAKER_11
02:07:23
Roger, do you have any comments?
SPEAKER_13
02:07:26
I mean just what everyone else is pretty much saying but I would add that to me moving it on the property is just as good as keeping it where it is because it looks to me like it has been moved more than once possibly and I think moving it away or selling it you just take it out of context that has very little value to me at that point.
02:07:54
And I think our focus does have to be pretty narrow here.
02:08:01
It may be that it's for others to consider other issues, but it's pretty cut and dry, I think.
02:08:07
We're being told by the reports that it's significant and rare.
SPEAKER_15
02:08:19
I feel like I'm always the argumentative one.
02:08:24
I don't think I'm able to help your case much, but I think ultimately would support demolition for this just through precedent.
02:08:33
I know most of our board is very new, but I've seen quite a few demolition approvals where whole servants' quarters get chopped off the back of large houses.
02:08:46
something much more significant than this small building that we don't actually know if a servant actually lived in.
02:08:54
I recognize the sense that it's rare in the neighborhood, but it's just out of precedent.
02:09:04
We've approved demolitions like this, much more significant demolitions than this in the past.
02:09:14
I think Jeff seems to be dodging this quite a lot but I mean it's coming down no one's gonna take it it's coming down whether it comes down and we fine you for it whether it you know you get a you go through council appeal and pay for the appeal I mean everything it's
02:09:34
It's coming down and we're going to cost you money by delay.
02:09:38
But that's, as others have said, that's not our purview.
02:09:42
But I guess what is our purview is the fact that we've demolished much more significant structures in the past.
02:09:50
But I don't think I'm helping you much.
02:09:56
What might help you, we could defer this, we could prolong it, or we could just make a motion tonight and you could take that motion and do what you want with it, whether it's an appeal or just
02:10:11
put this to bed.
02:10:12
So that's up to you.
02:10:13
Would you like to defer it?
02:10:15
And I guess the idea would be, see if we can figure out, see if you can figure out someone to take the shed for you, or we can just make a motion tonight.
SPEAKER_10
02:10:24
I would allow you folks to reconsider his comments.
02:10:27
If you're intractable on that and you think that this, I mean, I would remind this group that not an eighth of a mile away,
02:10:39
is cited a hotel in the historic district, is cited condominiums in the historic district that my wife and I and many in our community fought against in front of you and council about eight years ago with tooth and nail.
02:11:01
So that's okay, but my 10 by 12 shed
02:11:09
is the holy grail of the neighborhood?
02:11:14
I mean, come on folks.
02:11:16
And we're talking, I mean, I appreciate you want to stay in your swim lane and my father-in-law is 81, quality of life.
02:11:27
but let's talk precedents, let's talk reality.
02:11:31
It's coming down one way or another or get moved.
02:11:35
If this council would like to fund its movement to somewhere on my property, write me a check.
02:11:42
But if the expectation that me and my wife with our limited resources have to go find $10,000 to move this on our own nickel when it's coming down anyway,
02:11:57
That's the question of value I pose.
02:12:00
Historic value does have value.
02:12:02
So does current value.
02:12:06
This is current.
02:12:07
This is now.
02:12:08
Him being anyone is now.
02:12:10
No one, I'm not going to be selling tickets to this little shed on my property.
02:12:17
No one's going to come want to see it.
02:12:19
And if they did, they're going to get my, they're going to require my permission to walk onto my property.
02:12:26
So I'm more than happy if you all want to divert and consider it.
02:12:29
That's fine.
02:12:31
The clock's ticking on my father's quality of life.
02:12:35
So I understand it's fine to keep your blinders on and stay within your mission statement.
02:12:44
Why do you think I put solar panels on my property?
02:12:47
Because it was free?
02:12:51
I did it because I care about the environment and our world and our capital.
02:13:01
Absolutely, but it's the right thing to do.
02:13:04
Our world is much bigger than simply the ordinances under which you're operating.
02:13:10
I'm fine if you defer until December 20th, but at that point in time, you know, and this is not anything other than my feelings.
02:13:19
It is coming down, one way or another.
02:13:21
Past it, because I gotta take care of my father.
SPEAKER_15
02:13:31
I'm assuming no one's changing their minds, but just have to check.
SPEAKER_05
02:13:36
Can we move for denial?
SPEAKER_15
02:13:40
I think that would be the most helpful thing for the applicant, probably.
SPEAKER_10
02:13:42
I mean, if you want to try to find somebody else who wants to take it on their nickel, great.
SPEAKER_13
02:13:53
One thing that I sort of wonder about is this idea of precedent.
02:13:59
I'm new to the board.
02:14:02
You know, what are the other examples where we have had similar or maybe even more significant developments?
SPEAKER_15
02:14:11
There have been a couple houses on Park Street that, large houses, where someone took the entire back half of the house off so they could put a new addition back there.
02:14:22
And those back halves were inferior in the sense that they had lower ceilings and smaller rooms, presumably because they were service quarters.
02:14:31
I can think of two examples.
02:14:33
One is Chris Long's former house.
02:14:36
The other one is, I can't remember the name of it, but it's, Hard Bargain was the name, and it's way down Park Street, almost at the end of the district.
02:14:48
We took down, on Virginia Avenue, there was the last three
02:14:56
kind of working class little bungalow type houses on the street.
02:15:00
Took down two of those, did keep one for an apartment building.
02:15:05
I'm trying to think what else.
02:15:06
I don't know, I mean, we've.
SPEAKER_03
02:15:08
Carl, I mean, I think those are, you know, they have some precedent value, but they're not quite like this.
02:15:15
And this is unusual in its age and its association with the house at this age.
02:15:20
My recollection of some of those precedent is those were more recent
02:15:24
Editions, and in different series of conditions.
02:15:30
I do think that there was a chance that if the applicant came to the board and demonstrated that there was no way that the ADU could be built and that required the demolition, that might change some minds.
02:15:49
On the other hand,
02:15:51
I mean, I think just given the information that we have, that the preservation of the structure is from our guidelines, the preferred recommendation.
SPEAKER_10
02:16:04
What is it that you mean the ADU required as demolition?
02:16:08
What are you saying?
SPEAKER_03
02:16:10
Well, for instance,
02:16:13
We have had requests for demolitions in the past that were of maybe in some ways similarly modest, not significant structures, but historic nonetheless.
02:16:33
But we have approved demolition with
02:16:40
along with a successful building that was going in its place.
02:16:48
So we understood the necessity of removing the structure.
02:16:51
That's one of our evaluation criteria.
02:16:55
Right now, without any other context, we don't have any way to evaluate whether the structure is required to be come down.
SPEAKER_07
02:17:08
I think what Brett's saying is that if we could see what the hardship is, if we could see the design and understand, hey, there's a setback on this side, there's a setback on that side, so that leaves us with 20 feet to put our accessory unit.
02:17:23
Then there's an example of where that hardship's coming from, as opposed to just saying we've got to move it, we've got to get it out of here because we've got this other apartment that we've got another structure that we want to put in.
SPEAKER_10
02:17:38
There's no other place for it to go on our property that is governed by you all.
02:17:43
Fundamentally, there's no other place for it to go.
02:17:44
You can't put it in the front yard.
02:17:46
That is the only place it can go based on setback.
02:17:49
If you look at where that fence is, I've got to come five feet off that fence with current guidelines.
02:17:55
I can go back, but then I have a parking area that is nothing but gravel.
02:18:02
This, from a functional standpoint, it's right over the sewer.
02:18:08
I can get into the house.
SPEAKER_10
02:18:11
We can cost effectively put an ADU in its area that's maybe, I don't know, 16 by 25 feet long, so a little bit larger than this, but not significantly, match it in form and structure, hopefully, to what we have there currently, and add value.
02:18:35
Again, the notion that
02:18:38
You know, someone's going to pick up and buy it.
02:18:40
I don't see it, but maybe you guys are the bar.
02:18:43
Maybe you know someone who has that interest.
02:18:46
For me to use my father-in-law's limited funds to pick it up, move it, and replace it, and then have to maintain it somewhere else on my property?
02:18:59
Again, I'm sure you have very wealthy people come before you and have the funds and resources and means to do that every day.
02:19:05
I am not one of them, right?
02:19:09
So, you know, I think this is a logical value-add thing.
02:19:16
I appreciate and I'm more than happy to allow Jeff and whomever else would like to document the process by which it comes down.
02:19:26
I'm cool with it.
02:19:28
Absolutely.
02:19:29
Let's get pictures, let's get videotape, let's do whatever.
02:19:32
But the notion that it's going to sit in perpetuity well maintained by me and my family who don't plan on selling this album anytime soon is... I wouldn't put money on it.
02:19:48
So, you know, you guys gotta do what you gotta do.
02:19:51
And I hope you do it in conscious understanding that you approved the hotel at the corner of my street.
02:19:57
and you improved, I mean I've got a 9mm round in the front of my house.
02:20:03
My kids saw the shooting across the street 18 months ago.
02:20:11
So, you know, believe me, not many people are just walking up on my property.
02:20:18
We live on Ridge Street, a little bit different than Park Street.
SPEAKER_15
02:20:25
Well, so you have a choice.
02:20:26
If you want to request a deferral, if you want us to defer it, we can do that or we can vote.
02:20:34
It sounds like it's going to be voted deny the demolition, but that would let you move on.
02:20:40
So what would you prefer us to do?
SPEAKER_22
02:20:43
Can I ask a question?
02:20:46
Sure.
02:20:47
Are you saying this building could leave the property?
SPEAKER_15
02:20:52
I think that's an option that some board members are saying.
SPEAKER_04
02:20:55
Would you like a small one bedroom dwelling?
SPEAKER_22
02:21:09
There are people that will take it, and they're not going to buy it.
02:21:12
They'll take it for free and take it down, and this is something that would need to be removed at wholesale.
02:21:17
Salvage Rice and Orange or even Frank Joseph would probably take it.
SPEAKER_08
02:21:21
I don't think that, I mean I don't know if that meets their criteria with regard to preservation, but
02:21:27
Well that's why it has to stay with the property.
SPEAKER_15
02:21:31
That sounds like a reason to defer.
02:21:32
Would you be alright with that?
02:21:36
Give it a month and see if we can, well who's going to investigate that?
SPEAKER_10
02:21:41
It's not going to be me.
02:21:43
I'm more than happy to defer.
02:21:47
Understanding that, you know, I know you don't want to consider
02:21:57
the financial arrangement and the quality of life issue of the Albemarle because that is too hard for me.
SPEAKER_03
02:22:07
Well, it's not that we don't want to.
02:22:09
It's that we can't, actually.
02:22:11
That's not part of our, we're volunteers that are governed by the statute.
02:22:17
And that's just not a criteria that we can use as part of our evaluation.
SPEAKER_15
02:22:21
And, sir, and I apologize.
02:22:22
I'm actually going to have to cut you off.
02:22:23
Yeah, it's cool.
02:22:24
I'm sorry.
02:22:25
No, it's all right.
02:22:26
But I just want to make sure that we're, so you're OK with the deferral to investigate, but it sounds like the applicant is not going to do the investigation.
02:22:37
Jeff, is that something that staff is going to do, or should we just, in this, put out of its misery?
SPEAKER_04
02:22:49
ended and put out the ministry is assuming a denial, it then places some choices to make.
02:23:12
I would assume the loss of the building.
02:23:18
I cannot tell you sitting here right now what I could offer, what exactly I would do tomorrow or if I would even do it tomorrow, but I know that
02:23:29
if at least it's deferred.
02:23:31
I mean I know that you all don't have a you don't have a proposal for you for a new ADU in the back so something's not being constructed next Tuesday.
02:23:39
You know that so so a deferral does not in any way shape or form
02:23:49
cause any financial problem to anybody.
02:23:52
I said, you know, if we had before you all tonight a project to be approved to construct something new, then there would be, you know, a little bit different sense of urgency here.
02:24:05
So my feeling is that just maybe in a month I can think of something and maybe I can't.
02:24:12
But at least I know that
02:24:14
A decision hasn't been made that's final for that structure.
02:24:19
And I don't want to, you know, speak for Clay, but, you know, just in our conversations it did seem like a, you know, it was almost, yeah, if someone is willing
02:24:30
to take this or in some way, there's not opposition to that.
02:24:35
And so I just keep thinking, all right, well, what can we do that will provide some certainty for this building?
02:24:43
And I think that there may be some benefit in it for the applicant as well.
SPEAKER_07
02:24:48
And if there's a deferral, there's maybe a chance that you don't have to pay the fine.
02:24:54
You may find a different.
SPEAKER_10
02:24:56
I'm fine with that, folks.
02:25:04
and I understand that no one comes to see him.
SPEAKER_04
02:25:11
But I think that there is also there is an ADU process that we need to be having underway as far as the design for something.
02:25:20
That needs to also be at least to get that out in the open that that's a process.
SPEAKER_15
02:25:24
How about we move for the deferral so that gives it 30 days and then let me see yeah that'll at least keep it
SPEAKER_04
02:25:35
I do want to offer one additional thing.
02:25:37
I spoke with DHR and in their staff opinion, the removal of this building would not place the overall district at risk.
02:25:52
That's a good thing to know now.
02:26:01
yes and but there's been a it's something I meant to it was probably in what whatever I deleted that removed that other stuff just one of the questions so what this is
02:26:23
So as far as one of the criteria is an evaluation of its impact on the National Register District, not the local district.
02:26:31
The reason that you're having this discussion is BAR's purview is a function of the local designation.
02:26:37
However, one of the questions is about DHRs.
02:26:41
Would the demolition of a structure
02:26:45
There must be reason for delisting the district and that answer was no.
02:26:51
There's two designations, there's a local one up.
02:26:56
But that's all I'm trying to say.
02:27:00
I don't want to lose the building and if an option presents itself, a month gives me another 30 days to figure it out.
02:27:12
I may not be able to, and then fine, December 20 you all can go through this thing again, but I think then part two is if there's an ADU going to be constructed in the back there, then that process also needs to get underway because that will require BAR review.
SPEAKER_15
02:27:33
It sounds like the clock is ticking.
SPEAKER_10
02:27:34
May I get an updated corrective report that has items C, D, and E?
02:27:41
They weren't supplied initially.
SPEAKER_04
02:27:44
Well, they're in the report.
02:27:48
Well, I mean, if we're, you know, I can show you what they were up on the screen, and we discussed.
02:27:54
I don't know what you meant by that when you said confidential.
02:27:59
And actually, Clayton, I'm trying to be helpful here.
02:28:02
I'm not trying to be.
02:28:04
Yeah, I mean, I just, I admitted these things, these three things, they were the things that I read.
02:28:10
And they were all, you know, they were all answered in the report.
02:28:14
In my discussion, I just didn't link them to CD&E.
02:28:18
And so, yes, then when you read the report, there was a reference to these three things.
02:28:22
They aren't there.
02:28:23
I will include them in the next one.
02:28:24
They don't add, there's no additional points added.
02:28:31
So that's where, yes, that's why I stated so.
02:28:34
I think it would be wise for the BAR to defer this.
02:28:37
You can do that, and then action will have to be taken on the 20th.
SPEAKER_17
02:28:42
I would like to make a move to defer.
SPEAKER_15
02:28:45
I will second that.
02:28:46
Jeff, can you just do a roll call?
02:28:51
Do you mind?
02:28:52
Since we probably should do a roll call.
SPEAKER_04
02:28:54
Sure.
02:28:55
Mr. Zehmer.
02:28:56
And this is a motion for a BAR deferral.
02:29:01
Aye.
02:29:04
Mr. Timmerman.
02:29:05
Aye.
02:29:06
Mr. Gastinger.
02:29:06
Aye.
02:29:09
Mr. Whitney.
02:29:10
Aye.
02:29:12
Mr. Schwartz.
02:29:13
Yes.
02:29:15
and Mr. Birle.
SPEAKER_13
02:29:16
Yes.
SPEAKER_04
02:29:17
Okay, so this is deferred until December 20th.
02:29:22
I will see what I can do.
02:29:25
And we will discuss it then.
02:29:29
Fair enough.
02:29:30
All right.
02:29:30
Good.
02:29:31
Sorry, you're late for the concert.
02:29:32
Hopefully.
SPEAKER_10
02:29:33
Oh, no, I'm not.
SPEAKER_04
02:29:41
All right, well, thank you.
02:29:44
OK, next up.
SPEAKER_15
02:29:45
That is painful.
02:29:47
Are you guys good?
02:29:50
Do we need a break?
02:29:53
It's been two hours, so.
02:29:58
OK, no one's saying anything, so we'll move on.
02:30:02
OK.
02:30:05
Yeah, so 914 Rugby Road.
SPEAKER_04
02:30:08
John, are you here?
02:30:09
Been fun.
02:30:10
I'm sorry, my estimating is really off tonight.
02:30:13
I'm sorry, who seconded it?
02:30:16
Tyler, you made the motion, the second was... So, let me get to my
02:30:32
By the way, I was going to tell you, John, while I'm pulling this up, I did find an old 1986 photo of the house, but it didn't offer anything on what was on the roof, on the front porch.
02:30:50
This is a COA request for 914 Rugby Road,
02:30:58
This is in the historic conservation district.
02:31:09
The house was constructed in around 1921.
02:31:11
It is contributing to the conservation district.
02:31:15
This is a request to... Actually, sorry, Brecht.
02:31:32
And it's COA request to, they'll be removing a side addition and reconstructing a single story addition and at the front they'll be reconstructing the front porch.
02:31:47
and within a conservation district, remember that what you all have purview over is what you see from the road.
02:31:54
So while the applicant has shown what's going on on the side and the rear, really what falls under your purview is sort of what you see there.
02:32:05
And I certainly, and I hope John will address how the bricks repair there on the side coming towards the front by the chimney there.
02:32:15
I normally for something like this within a conservation district I probably would have reviewed this administratively with the discussion with the BAR chair and vice chair.
02:32:32
What gave me hesitation was the Mansard
02:32:35
type roof.
02:32:39
And Mr. Zehmer had asked some questions about the door opening.
02:32:47
It's out of alignment.
02:32:48
And so he had a pretty good question about that.
02:32:54
But I said, within a conservation district, it's a much lighter touch.
02:33:00
I would have been comfortable approving it, except for that roof, like I said.
02:33:05
We know that the existing front porch was reconstructed
02:33:11
sometime before the district was established.
02:33:14
I do know there was a single story porch on the side to the left that sort of grew up sometime between 1920 and I believe the 1980s.
02:33:31
So what you see there is not original.
02:33:34
Any questions for me?
02:33:37
And John, you want to talk, and I can scroll up and down, however you want me to, if you even need me to.
SPEAKER_22
02:33:46
I'd like to talk as little as possible.
SPEAKER_04
02:33:49
You had said that.
SPEAKER_22
02:33:52
I think your report was a pretty good summary of, and I agree with the assessment of it, thank you for doing that.
02:34:01
Actually, very easy to work with, Jeff, thank you.
02:34:05
The one thing that I did take exception to was the use of the word mansard.
02:34:10
And I never really thought of these curved roofs, I call them deck on hip roofs.
02:34:15
I understand why they call it mansard, but when you say mansard, to me it has a different connotation.
02:34:22
kind of a French or Italianate detail on houses.
02:34:26
And this curved roof that we're talking about here is something that you often see on a Colonial house above a bay window, for instance.
02:34:35
So it's not foreign.
02:34:37
There are quite a variety of different porch styles and roof styles in the neighborhood, so I don't know that that would necessarily disqualify it.
02:34:45
So that's really the only thing I wanted to address is the use of the word mansard.
02:34:49
I would probably call it something else.
02:34:55
Thank you.
SPEAKER_14
02:34:56
Anything else?
02:35:00
If you have questions, I'm happy to answer.
SPEAKER_15
02:35:03
Do we still have that caller?
SPEAKER_04
02:35:08
For this one?
SPEAKER_15
02:35:09
The attendee who's called in?
02:35:13
I don't know.
02:35:14
OK, there we go.
02:35:16
Don't click on it yet.
02:35:19
So any questions from the public, please press star 9.
02:35:24
If you're calling in, you want to ask a question.
02:35:28
Nope, OK.
02:35:29
For who?
02:35:29
I don't even know who that is.
SPEAKER_04
02:35:31
Is that Remy?
02:35:32
Is that you, Patrick?
SPEAKER_15
02:35:33
No, it's not me.
SPEAKER_04
02:35:35
No, all right.
02:35:35
I'm just listening.
02:35:35
I'm not making that.
SPEAKER_15
02:35:37
No, I don't.
02:35:39
Any questions from the board?
SPEAKER_05
02:35:44
I guess, do we have any sense of why the front door's off-center, existing front door?
SPEAKER_22
02:35:55
Jeff put up a couple of pictures from the rest of the neighborhood and I noticed one other house that was probably built by the same guy.
02:36:03
It was 807 Rugby.
02:36:07
The answer to your question is it's off center because the room on the left side is wider than the room on the right so the center hall of the house is off.
02:36:16
But in most cases, you would still find the door centered on the window and the dormer above.
02:36:20
In this case, it's not.
02:36:22
So this porch has been redone at some point, and I think what they did was they widened it to try to conceal the asymmetry.
02:36:31
So we're trying to change that.
02:36:34
And I think the other comment you made, Jeff, was that the door is actually being refashioned.
02:36:39
So what's there now is an existing elliptical opening with two side lights.
02:36:44
And what we're proposing to replace is that opening and move it over and refashion it as a solid door with a fan light above.
SPEAKER_15
02:36:59
Other questions?
SPEAKER_03
02:37:03
I guess I have one question.
02:37:07
And I'll kind of couch it within my comment, so maybe you don't even need to come back to me.
02:37:15
But my, I think generally that this is going to fall safely within the Conservation District guidelines.
02:37:24
My only concern is about the EPDM and it's the detail of the intersection of those two materials and given that kind of
02:37:37
The elevation of the street, it feels like the EPDM is going to be going to be visible.
02:37:42
But maybe that's so my question is, you know, for the architect to explain a little bit more about that detail and maybe lay any clear visibility of that group.
02:37:57
Or maybe what color the EPDM would be.
SPEAKER_22
02:38:02
One of the things about this property which is hard to really tell from the photographs that we have is that the property falls about six feet from the sidewalk.
02:38:11
So you're always really, the public is always looking at this property from slightly above it.
02:38:18
I know that's really not represented in the photographs that I've given you because I'm standing in the front courtyard.
02:38:25
But one of the things I was trying to do is not do a completely flat roof like you see in some of the other properties that Jeff gave you.
02:38:35
921 Rugby, for instance, is probably the knee-jerk way to add on a wing to the house with a value straight at the top.
02:38:46
I'm concerned about looking down from the street and seeing a flat EPDM roof.
02:38:51
So I was thinking the copper roof that
02:38:55
Curves back away from you in perspective is probably a softer way to deal with that, and it helps prevent seeing the rubber roof from above at the street level.
02:39:06
That was my rationale anyways.
SPEAKER_15
02:39:09
I think Breck was asking, are we still going to see the rubber roof?
SPEAKER_03
02:39:14
I feel like we are, given the lower slope.
02:39:17
And at what color would the EPDM be?
02:39:19
And it seems potentially jarring.
SPEAKER_22
02:39:26
We'd have to model it and lay it out and figure it out and use a story pole of some sort to figure it out, but that was the reason of raising it a bit.
02:39:34
I'm concerned about putting a railing at the top just because it's a maintenance.
SPEAKER_03
02:39:38
Oh gosh, yeah, that would be awful.
SPEAKER_22
02:39:44
And if you were to chase this elevation around the side, the reason that roof doesn't get taller is because it would begin to clip the second floor windows, which we'd like to preserve.
02:40:02
For what it's worth, that addition is going to recede from the front of the house a fair bit, and it's in shadow with the house next to it.
02:40:10
So I'm not sure that it's going to be that prominent.
SPEAKER_13
02:40:15
Could you maybe do some flat seam copper over at least the front door?
SPEAKER_22
02:40:25
That's possible.
02:40:28
You're basically building two roofs on there because it's a broad expansive roof.
02:40:34
That stuff moves a lot and it's going to leak over time.
SPEAKER_15
02:40:42
Any other questions?
SPEAKER_14
02:40:46
OK.
02:40:48
Comments from the public.
02:40:51
If our caller wants to make a comment, please press star 9.
SPEAKER_15
02:40:56
Nope.
02:40:57
OK.
02:40:59
Comments from the board.
02:41:00
And if you're not already looking on Google Street View, I kind of recommend it, because it might give you some clues to perspective on this.
SPEAKER_13
02:41:11
I don't want to cut off discussion, but if you guys don't mind, I'd like to just make a motion on this.
SPEAKER_05
02:41:37
unless there's any dissent.
02:41:41
Not dissenting, but Roger, I think the suggestion was flat lock.
02:41:46
That's kind of where my mind went.
02:41:49
And I think the size of the front porch covering could handle it.
02:41:53
Maybe the side addition might be a little big, and maybe that, I don't know, worth considering.
SPEAKER_13
02:42:00
Although looking at it here and I rode by the other day, it doesn't seem like you really can see much of that.
02:42:09
I mean, I think this is a huge improvement over the existing portion, the existing edition.
SPEAKER_05
02:42:17
Forgive me, is this a preliminary discussion?
02:42:20
We're in discussion, yes.
02:42:21
Okay, so we'll see details later.
02:42:25
No.
02:42:25
No, no, no.
02:42:26
I was asking, is this a preliminary discussion?
SPEAKER_04
02:42:28
Oh, no, no, no.
02:42:30
This is a request.
02:42:33
And one of the things with this,
02:42:36
If you all have some instructions, you don't even have to take a motion.
02:42:42
You can give me instruction and I can approve it administratively with, you know, following your lead.
SPEAKER_15
02:43:00
Does anybody have anything else they want to say?
02:43:01
Or I would make a motion.
02:43:05
Cool.
02:43:09
Thank you.
02:43:09
Of course I have to find it.
SPEAKER_11
02:43:16
There we are.
02:43:20
No.
SPEAKER_15
02:43:22
Jeff, where did you hide it?
02:43:23
There it is.
02:43:24
OK.
02:43:24
Having considered the standards set forth in the city code, including city design guidelines for historic conservation districts, I move to find that the proposed side addition of front porch alterations at 914 Rugby Road satisfy the BAR's criteria and are compatible with this property and other properties in the Rugby Road Historic Conservation District, and that the BAR approves the application as submitted.
02:43:45
I second.
02:43:46
Second.
02:43:49
Jeff, do you want to, sorry.
02:43:54
Is there any discussion of that motion?
02:43:56
I don't think there is.
02:43:57
So can you take roll call?
SPEAKER_04
02:44:00
Mr. Zehmer?
02:44:01
Aye.
02:44:02
Mr. Timmerman?
02:44:03
Aye.
02:44:04
Mr. Whitney?
02:44:07
Aye.
02:44:09
I'm throwing things up, mixing it up here.
02:44:11
Mr. Schwartz?
SPEAKER_15
02:44:12
Yes.
SPEAKER_04
02:44:13
Mr. Gastinger?
02:44:16
Yes.
02:44:17
and Mr. Birle.
02:44:20
The motion passes.
02:44:23
John, thank you.
02:44:24
And I actually have to say, I've learned a lot.
02:44:28
John's responses have been very thorough, and it's like, oh, oh.
02:44:33
And as not an architect, I very much appreciated your willingness to put the time into your answers.
02:44:43
So I appreciate that.
02:44:44
Thank you all.
02:44:44
All right, John, thanks.
SPEAKER_15
02:44:45
We're going to take a quick five-minute break before next.
02:44:50
So, yeah, five minutes, whatever that is.
SPEAKER_04
02:52:41
I don't know these are still going to be
02:53:03
It's going to take more than, I mean this photograph obviously only moved on unless you've got something and I think another one I've seen shows it so far.
02:53:11
If these weren't there or if they're not original, then sort of how do you present them?
02:53:18
But yeah, I mean all this stuff, scaffolding to get going.
02:53:25
The, um, you'll need an outlet when you go and talk to Chuck.
02:53:30
Say, what do I need from you for a building permit or whatever?
02:53:33
I don't have to talk to them.
02:53:34
You know, a sidewalk closure permit.
02:53:36
But the, um,
02:53:39
I'm not going to stop you from fixing the bricks.
02:53:44
I'm not going to stop you from fixing them.
02:53:47
And I realize, you know, maybe I need to tell it to you.
SPEAKER_09
02:53:57
maybe they're over 50 years old and there's nothing so
SPEAKER_04
02:54:10
I thought I had a bunch of us.
02:54:13
These are your photos.
02:54:14
I thought I had some photos that I could stitch into it, but that's just my pictures.
SPEAKER_28
02:54:19
Well, there's some other, this is a PDF, but there are other renderings there, PDFs.
SPEAKER_04
02:54:26
Oh, what else do we have left?
02:54:27
I mean, I can, it just, so it's easier,
02:54:40
This is going to take a while.
SPEAKER_27
02:54:47
Start with the photographic documentation.
SPEAKER_28
02:54:52
There you go.
02:54:53
We'll walk through that first page.
02:54:56
And then after that, as at the last page, we'll move back to the individual renderings and progress.
SPEAKER_04
02:55:02
So what we have is this will be, they're aware of the project.
02:55:07
I mentioned it.
02:55:09
at the October meeting and talked about, yeah, this is something people are enthused about, the city's enthused about, it's an opportunity.
02:55:17
It's not really, not to cover the history, you really don't talk about the inside, it's really getting at these key things that you want and what they'll have your view and what information you'll need to get to them.
02:55:38
and I think they've got any questions for you.
02:55:43
and then the next deadline is the 29th.
02:55:48
I don't have to ask.
02:55:50
But when we had that discussion about, there was the maintenance stuff we wanted to do and then the idea was get something in here for that preliminary discussion.
02:56:02
So the scale and then December.
02:56:04
We can get things approved or get things, you know,
02:56:12
you've got something you've got drawings ready to go I think it's it's an
02:56:33
I think you can make the statement that you're going to be preparing the brick and you're going to be going with a red block or a white or something and the reason being because we're not going to match it.
SPEAKER_02
02:56:43
I don't even know where these came from.
SPEAKER_04
02:56:51
I walked by this wall every day for years, and it's like, let's look at it and hang out.
02:56:55
But I can still wonder what an earthquake in 2001, how much shook some of these things.
02:57:20
Can we start?
02:57:20
That's insane, I mean that was really
SPEAKER_14
02:57:50
So I think we had our five minutes.
SPEAKER_04
02:57:51
Everybody to their places.
02:57:58
So let me, I know we're behind.
02:58:01
Let me get rid of this image here of John's house.
02:58:17
and what we will be discussing next.
02:58:19
This is 300 Court Square.
02:58:26
I don't know how long it's been, 300 Court Square, because it's had several other addresses.
02:58:31
But this is known as the Farish House.
02:58:34
It's at the corner of 6th Street Northeast and East Jefferson.
02:58:41
It's opposite sort of to the southeast of the county courthouse.
02:58:47
and the, I mentioned this to you last month, talking about some of the BRIC repairs and things that, are these yours?
02:59:00
And so we talked about some of the repairs and I've been talking with the owners and applicants about
02:59:09
The things that can be done that are maintenance and repairs that could be done, should be done and working with them on that.
02:59:15
We're working with the folks in the building inspector to sort of, we're all on the same page with that.
02:59:25
But what they've also got are some alterations to the building that are going to require BAR approval.
02:59:34
Excuse me, my recommendation was to have this being the scale of the project, preliminary discussion, but also really try to get into some of the key design things that
02:59:48
we would want to see, the BAR would want to see relative to reviewing these alterations.
02:59:55
Particularly the reconstruction of the East Portico, although because of the property line it would have to be a slightly or somewhat reduced scale reconstruction, there is the question of the small
03:00:13
windows on the front elevation, the four small windows.
03:00:17
And then there's the, I was calling it a courtyard, but that rear area in the back, whether to construct a sort of the pavilion area there and sort of what information you all would want to see.
03:00:35
You know, I just noticed these
03:00:38
Those are gone, aren't they?
03:00:46
It's pretty neat.
03:00:47
I did go through the building.
03:00:52
It's a surprise.
03:00:54
I was kind of scared going into it, because I've walked by this building for 20-some years, and I've never seen anybody in it.
03:01:00
So I didn't know what I was walking into.
03:01:02
But it's going to be pretty wild when this work gets done.
03:01:08
So with that, I think I want to pass it off to Barry and Candice and let them
03:01:14
you know I will move a screen or slide however you want me to and I think again my mention to them was to get to a discussion with you all about
03:01:26
what details you want not necessarily I don't think there's anything here that's troubling as far as some of the alterations but you know have that conversation about preparing an application.
03:01:38
So Candace it's all yours.
SPEAKER_16
03:01:41
Hi I'm Candace Loach.
03:01:43
I know a few of you guys and I just wanted to introduce our property.
03:01:48
I have the Inn at Court Square for 22 years, which I restored as the oldest house downtown.
03:01:53
So I'm very excited about doing the oldest hotel downtown.
03:01:57
And it's an 1850s hotel.
03:02:00
And there's been many different hotels through the 1960s.
03:02:03
And we're very just
03:02:07
We just love the building, it's beautiful and I just want to bring it back to life and make that corner more lively.
03:02:15
Right now, like Jeff said, it's very dark and dreary when you walk by and we're just hoping to bring life back to that end of Court Square.
03:02:23
And I wanted to introduce our architect, Barry Moss.
SPEAKER_28
03:02:29
So you have the handouts in the list of items and I'm not going to go verbatim through each one of those.
03:02:35
I'm just going to ask Jeff to slowly page through this document and he's already mentioned the windows on the front.
03:02:43
We have a photograph where one window is not there.
03:02:45
We do not have
03:02:47
photographic evidence of all for not being there, but our Mason tells us, John Halpern, that there's evidence that those windows were added at some point because of a saw cut rather than the toothing of the brick, per se.
03:03:02
But if you just keep paging through, this is a photograph of the paint.
03:03:06
You've seen this.
03:03:07
That was on the building for a number of years.
03:03:09
It's been removed at this point.
03:03:12
And the next slide.
SPEAKER_04
03:03:14
I shared that with you all the images in October of why the bricks are so pitted and because it was sandblasted.
SPEAKER_28
03:03:21
Yeah, it really destroyed the finish on the brick and two more photographs of that.
SPEAKER_16
03:03:26
And John was there today and they actually painted back in the red color of the brick.
03:03:31
So he was doing a sample.
03:03:33
I don't know if you had a chance to get by and see the paint colors for the trim or doors, but he was also doing a sample of the limewash.
03:03:43
And as he was doing it, he was saying that the red on some of the bricks were actually painted red, not him trying to take off the white.
SPEAKER_28
03:03:51
Next slide.
03:03:55
just showing some of the damage that's there.
03:03:58
And we plan on replacing that with this common brick.
03:04:02
Yeah, you want to show that?
03:04:07
Where it's completely destroyed.
03:04:11
And there's evidence of Portland cement mortar that's destroyed the brick as well.
03:04:17
That will need to be tuck pointed, removed and tuck pointed.
03:04:20
Next slide.
03:04:22
More deterioration there.
03:04:24
Keep going.
03:04:27
That's good.
03:04:27
I don't know what that is, right?
03:04:29
This is where the rumored milk truck hit the building.
03:04:32
I'm not sure.
SPEAKER_04
03:04:33
You said in the 1940s?
SPEAKER_28
03:04:37
And that will be replaced as well.
03:04:39
So we're proceeding with this work.
SPEAKER_13
03:04:41
They found a really good mason to do the repair.
SPEAKER_28
03:04:44
Very good, but under the influence.
03:04:48
Good.
03:04:49
Next slide.
03:04:53
Okay.
03:04:57
The fire escape will remain according to the building code unless we get a waiver from the building code official.
03:05:04
It's our second exit, but we're going to work around that and leave it in place.
03:05:09
The doors that are there, we're going to replace those with windows that are actually operating doors, but they look like the windows adjacent.
03:05:21
The shutters on the building at Zero Court Square, we're going to try to emulate those on our building and the hardware.
03:05:28
There's evidence on the building.
03:05:29
There's another close-up of the hardware and the shutters.
03:05:35
You can see some of the shutter hardware on our building that was there.
03:05:42
Next slide.
03:05:46
Shutter pens.
03:05:48
Canvas has some beautiful historic doors that we're planning on reusing in this building on the front entry.
03:05:56
And these would actually, these solid panel doors would be the side shutters on the front, but painted.
03:06:04
Next.
03:06:05
We have some really nice gas lights for wall mounted and ceiling mounted, suspended.
03:06:12
That we'll show you in the rendering.
03:06:15
all copper finish.
03:06:16
And this sign we have, it's not on the building currently, but we're putting it back up next to the front entrance.
SPEAKER_04
03:06:25
What would that be?
03:06:27
That wouldn't be a sign, would it?
SPEAKER_28
03:06:29
I'm not sure what it is.
03:06:31
Art, object of art.
SPEAKER_05
03:06:33
Are you going to paint that horse to look like a zebra?
03:06:37
Yes.
SPEAKER_16
03:06:37
Just silhouette.
SPEAKER_28
03:06:43
Next slide.
03:06:44
We talked about this.
03:06:46
And then this porch railing is a good example of what we'd like to use on our portico, the scissor railing, the diagonal.
03:06:57
It's on Market Street, of course.
03:06:59
And this set of stairs would be removed, and that door would be replaced with a window that's matching the existing on the first floor, tall window.
SPEAKER_16
03:07:11
Originally a window.
03:07:12
Used to be a window, yeah.
SPEAKER_02
03:07:13
That's right at the corner, right?
SPEAKER_28
03:07:14
Yeah, that's the corner right there on the right.
03:07:17
And you can see a photograph of that window behind the Model T there.
03:07:24
Next slide.
03:07:25
And the Portico, which was one story and came out, it looks like, I don't know, 10 feet.
03:07:32
And we would put back as two stories, but much smaller because of the property line that Jeff mentioned.
03:07:39
The next slide is of the entry door on Sixth Street that we would be replacing with a single door instead of two doors for safety reasons.
03:07:52
And then this door, which was I think not original, that we'll be replacing with a set of doubled true divided light doors to the right.
03:08:04
It's a little too close to the corner for structural reasons.
03:08:07
I'll explain that later.
03:08:11
And this is the pair of doors we would use for that replacement.
03:08:17
back courtyard.
03:08:18
This looks lovely, but there's a giant mechanical unit on the upper left on top of that little one-story section and behind me, you know, the farm of satellite dishes.
SPEAKER_16
03:08:29
That's one of our biggest obstacles is screening and hiding that.
SPEAKER_28
03:08:34
Yeah, it's a challenge.
03:08:39
and the mechanical unit outside of the rooms there.
03:08:42
That unit is supplying the building next door.
SPEAKER_06
03:08:45
It's not ours.
SPEAKER_28
03:08:52
So the idea is to screen that partially and use Bermuda shutters on the back of the building to block some of those views, the mechanical unit and the satellite dishes.
03:09:04
And now if you would like to switch over, Jeff, to the
03:09:09
Renderings.
03:09:10
I can explain some of the changes in detail.
03:09:19
Number one, I think.
03:09:35
So I'll just go through that list that you have.
03:09:37
And as I see them on the building and explain, first of all, the brick wash, the lime wash that Candice mentioned, the wood shutters that would be stored on the building, the removal of the four windows, non-original windows, on Court Street.
03:09:56
The addition of an awning on Court Street that you see the Greek wave internally illuminated canvas awning with brass or copper finish poles set back about 18 inches from the street.
03:10:13
The gas lanterns that you see for on the ground level, those actually are represented as black in this rendering.
03:10:19
They would be the copper finish.
03:10:21
like the ones that you see suspended above in the deck.
03:10:26
And above that, the painted on zebra carriage hotel graphic.
03:10:32
And you see the porch ceiling.
03:10:35
We've painted that like a robin egg blue.
03:10:38
The color of the shutters would be a dark green, excuse me, a light green, a eucalyptus green.
03:10:45
The front doors would be a dark green.
03:10:48
and all of the trim that is shown in this rendering being white would actually be a very light green eucalyptus green as well.
03:11:33
The three flag poles that you see would be installed.
03:11:37
There's also planter boxes or flower boxes shown on top of the very low handrails, and that's just a way of raising the height of that for safety.
03:11:49
and the new doors, entry doors you see with the side shutters and then over on the 6th Street side from this angle you can see clearly the handicapped accessible ramp goes up to the portico with the very minimal type handrails painted green and the two-story portico comes out about five and a half feet
03:12:12
And that is all on the property.
03:12:14
What is in the city right away are the steps that you see and the handrails for the steps for the portico.
03:12:24
The scissor rail that matches the Market Street building.
03:12:29
And we can keep moving around to the next slide, I think.
03:12:34
A couple of other details for lighting.
03:12:38
We'd like to do some up lighting and down lighting on those pilasters, those brick columns.
03:12:45
And the lighting above would be hidden in the soffit and the lighting in the sidewalk would be recessed and just like, almost like a landscape lighting to bring some interest.
03:12:57
The existing handrails would stay and be painted the green on those decks.
03:13:03
the existing downspouts that are not shown in this rendering.
03:13:06
There's one on each side would be painted a antique copper color.
03:13:11
And I think I've mentioned everything on this facade, but remind me, Candice, if I missed anything there.
03:13:17
The windows on the second and third floor in the middle would actually be like on the Portico.
03:13:25
They would be swinging windows that would allow some access onto the deck for usage.
03:13:31
Right now, they're just double hung windows.
03:13:34
Next slide.
03:13:39
The portico you can see is sort of wrapped around the fire escape, which needs to remain.
03:13:45
And you see the lanterns that are hanging there and additional lighting.
03:13:50
new entry door at the ground level and the windows in the center on the portico are the ones I mentioned that would be hinged.
03:14:00
And then on the annex building we call it to the left new shutters, brick repair.
03:14:07
This sort of shows where brick would be replaced or repaired and if you see the lighter color in there that's just a
03:14:14
sort of a diagram roughly.
03:14:18
The double doors on the far left with the gas light next to it for the shop entrance as a retail shop.
03:14:29
So we tried to minimize the, that's fine, we can go to here.
03:14:33
The back deck is at the level of the main floor.
03:14:38
and we're using the fireplace and the trellis and the ivy and everything we can to hide all those satellite dishes you see as ghosts in the background there and the mechanical unit to your right.
03:14:49
The addition of shutters on the windows and gas lights as well.
03:14:55
And next slide.
03:14:58
And finally from the exterior,
03:15:01
showing the stone fireplace and the painted wood trellis work.
03:15:09
And there is a stairway, a little brick stairway underneath that landing that is access to the basement.
03:15:18
There's some trees shown here that perhaps could be something that's very heat tolerant.
03:15:26
I was thinking of a ginkgo, maybe a golden spire, it's very compact, or maybe a native Virginia juniper or cypress or something that can take the conditions of that asphalt back there.
03:15:39
Tree grates in a small planting area right around the fireplace.
03:15:42
We have the Bermuda shutters on the back of the building.
03:15:45
Here again you see them for controlling the views.
03:15:50
And I believe we have a couple photographs here of just some of the limewash experiments that John has been doing.
03:16:02
That's an apple shot so it may not have gotten in.
03:16:05
And this is this is one as well.
03:16:08
So we have a photograph of a building on Main Street, the Virginia Public Media Building, I think it's 200 block, that shows the stucco wash that we're more closely trying to match.
SPEAKER_27
03:16:24
Good.
SPEAKER_04
03:16:35
That's old paint that's been stripped off.
SPEAKER_15
03:16:59
That building was fully painted and they tried to remove it mechanically.
03:17:04
So yeah, but definitely not lime wash.
03:17:06
That's neat looking.
SPEAKER_28
03:17:10
I failed to mention there's one other small non-original window on the backside of the building we'd like to remove.
03:17:17
And there's also a small window in the inner courtyard that we would like to replace with a fire door for exiting and accessibility for ADA.
03:17:30
And we are installing a sprinkler system and elevator in the building and trying to bring it up to standard.
03:17:40
So I think maybe I can open it up to your comments, suggestions.
SPEAKER_15
03:17:46
For preliminary discussion, we don't do, well, we don't have any public anymore, anyways, I guess.
03:17:52
Yeah.
03:17:52
You guys, comments?
03:17:58
Breck, I'm just going to ask, do you want to go first again?
03:18:00
I have a few questions.
SPEAKER_03
03:18:02
I can go.
03:18:03
It might be.
03:18:04
Sure.
03:18:04
Thank you.
03:18:08
I really enjoy the project.
03:18:10
Exciting to see the changes and the love coming to this pretty, I guess, under-appreciated and neglected at times.
03:18:23
This structure is pretty cool.
03:18:25
So thank you for the interest in this building.
03:18:30
And for the most part, I think I really
03:18:36
Appreciate all of the changes that are suggested.
03:18:40
There are three areas that I do have some questions or maybe some slight concerns.
03:18:44
The first being the limewash and maybe those with, I'm not a historian, and maybe there could be a little bit of more discussion in this or description, but it feels very jarring, the limewash,
03:19:05
and not as many.
03:19:09
uh, precedents of that in our community.
03:19:12
And I and I wonder if a red wash would have been something that would have been we know is used on both on the court, uh, on court square and other local buildings.
03:19:23
And I wonder if that would be an option.
03:19:26
Um, uh, but that that that's one question.
03:19:30
The, um, I think there's a couple of moments when the project starts to
03:19:38
be a little bit harder to discern what might have been original versus what is contemporary.
03:19:46
For instance, the porch, the new porch, the new two-story porch, I think it's odd in the way that it interacts with the fire stair.
03:20:00
It is a little bit, I'm trying to figure out what,
03:20:05
what story it's trying to tell about the building and it's a bit unusual.
03:20:10
I love the enclosure of the back patio.
03:20:15
I think that's pretty interesting and successful.
03:20:18
And I guess I would encourage that even some more contemporary detailing could come to that side porch to further distinguish it from the historic structure or as a more contemporary addition.
03:20:37
And lastly, the Bermuda shutters are also feel very much something you might see in Charleston or southeast, southeastern US or of course in the Caribbean.
03:20:51
They do not
03:20:52
I could be told wrong that I'm wrong, but I don't feel that that's a detail.
03:20:57
It's very in keeping with our traditional construction detailing in Charlottesville.
03:21:05
Maybe that's an opportunity to do something more contemporary, but as it stands, it feels a little bit like it's literally sticking out.
03:21:13
And lastly, the gas lanterns could come across as feeling really fakie.
03:21:20
and not, I don't know how to, I'd be interested to see what the others on the board feel about them.
03:21:28
I felt like they could either be more contemporary and use the gas as a lighting mechanism or be a simple lighting source but not being so kind of like maybe trying too hard.
03:21:45
It feels like it could feel a little bit fake.
03:21:48
In any case, those are my initial thoughts.
SPEAKER_07
03:21:57
I had a few questions, but I'll just state my comments.
03:22:04
I'm really excited to see this.
03:22:08
This is one of my favorite buildings.
03:22:11
I don't know what it is about it, but there's something about the proportion of it and the indented section in the front and the wonderful railing.
03:22:23
I actually really like the brick and so I'll kind of side with Breck on being a little concerned about the whitewash.
03:22:32
I actually know that project you passed around pretty well.
03:22:36
That was when we did a few years ago in 225.
03:22:41
And the thing about that building was that, as Carl mentioned, that was taking a surface off.
03:22:54
It's never a good idea to paint brick.
03:22:56
In that particular case, it was
03:22:59
It was actually holding so much moisture that it was creating structural damage.
03:23:06
And when you walk by that building, you see a big bow in the wall.
03:23:12
You had to take the paint off just to get to the root of the matter.
03:23:18
And what we found was that when it came off, it was like a beautiful patinaed wall.
03:23:23
So it was a found condition.
03:23:25
And when I see this, I question what the intent is, and when I see the example on the wall, I'm concerned about it trying to, you know, it sort of tends more to a contrivance of trying to get to something.
03:23:43
But from my opinion, I think the found condition here is actually quite wonderful.
03:23:50
I think Rick mentioned a red wash that might just sort of enhance the sort of beauty of it that's there.
03:23:56
Maybe another thing to think about.
03:24:00
Let's see, what else?
03:24:07
And getting back to just sort of the proportion of the building, I don't actually mind the sort of added windows in the front.
03:24:18
I guess for me, there was something about the found condition.
03:24:23
as it's sort of laid out to us currently where I just feel like just a great degree of sensitivity comes into play here and it's I don't know how important it is to sort of impose a symmetry to it necessarily even the shutters I wonder if they're absolutely
03:24:49
necessary.
03:24:50
I think there's a sort of a geometry that works and a sort of a, you know, just the patina of the building that works in my mind.
03:25:06
And so I guess it's, for me, I keep leaning towards, you know, what are the, what are the, like, those really sensitive things you can do to make that thing
03:25:15
be all that it can be.
03:25:18
And so I guess my overriding comment would be just that, as you move forward, think about just the really small details that lead to the overall composition of it that enhances the beautiful building that it is and that you want it to be.
03:25:37
And it's obviously getting to that point.
03:25:42
I'm really excited about the rear section.
03:25:45
I mean, how often have we walked down that street and wanted to stop there and hang out?
03:25:51
So I think that's a very cool amenity for the city to anticipate.
03:26:00
The style of the box,
03:26:03
I'm a little, I question a little bit.
03:26:06
I don't know, it's a very tall space and the structure that's presented feels sort of garden shelter-y to me, so almost like
03:26:19
it's a little bit more on the temporary side and considering that it's a two almost two and a half story space I just wonder makes my sort of mind start thinking about you know ways of using design to sort of how you deal with that tall thin space you know and how you bring the light in.
03:26:44
I like Breck's idea of maybe considering a
03:26:47
Maybe a more contemporary form there that really that contrasts with the building but accentuates it, you know creates a wonderful kind of a framing of the of the old context instead of just sort of You know blending and try to blend into it so really look forward to seeing how this thing develops and
03:27:13
and yeah, just good luck on the, should be a fun, really fun design process.
03:27:19
I'd love to take a tour of the inside too.
SPEAKER_12
03:27:21
Thank you.
03:27:22
Anytime.
03:27:22
Thank you.
SPEAKER_05
03:27:24
Other comments?
03:27:27
Sure, even though Brecht said he's not a historian, he plays one on Zoom pretty well, because he had a lot of the same comments I do.
03:27:35
I think the, I agree whitewash probably isn't the right solution.
03:27:42
Was the sample you showed something he did today?
03:27:44
Yeah, it was in the rain.
SPEAKER_16
03:27:46
It wasn't a good example.
03:27:48
That's why I took pictures of the main street.
03:27:52
This building was white at one time and then it was sandblasted and we were having all this horrible brick decay.
03:28:00
So John had recommended a line wash that would help preserve the brick and protect it and it doesn't have to be
03:28:09
Yeah, I understand that.
03:28:10
I think an idea using a red wash would help give it some uniformity.
SPEAKER_05
03:28:28
The danger there is you end up potentially having it look like it's just painted red because then the red wash also colors the mortar joints.
03:28:35
Traditionally, you would have had a red wash and then they would have gone back and penciled the mortar joints, which is basically painting them white.
SPEAKER_16
03:28:41
Which is what they did at one time.
SPEAKER_05
03:28:43
So that's very labor intensive.
03:28:46
Probably don't want to do that, but it is a
03:28:49
could be successful.
03:28:50
I mean, I also think there's something to be said about just letting it be honest, maybe cutting out some of the bad mortar and trying to get a better match in certain locations, you know, that you might be successful there.
03:29:01
But when I saw the whitewash, it looked like efflorescence to me, which isn't the look you want.
03:29:11
Anyhow, I think that point's been made.
03:29:13
I agree with Breck that the Bermuda shutters may be a little out of place in Charlottesville.
SPEAKER_16
03:29:18
So those are just on the rear to hide the satellites and to hide the shutters.
03:29:25
They're not on the front or the side.
SPEAKER_05
03:29:26
No, I understand.
03:29:27
I understand that.
03:29:28
And then we're just talking about the shutters themselves.
03:29:31
Right.
SPEAKER_16
03:29:31
But if you do traditional shutters, then you're going to see the satellites and you're going to see the shutters.
SPEAKER_05
03:29:38
You're saying when you're looking out the window.
03:29:40
From the hotel room.
SPEAKER_16
03:29:40
A commuter shutter is going to keep you from seeing the ugly view.
SPEAKER_04
03:29:48
Could you just put, and I did this on my house, where there was a door opening that didn't used to be there, but I just took two shutters, put them together, and put it over.
SPEAKER_05
03:29:57
Yeah, you can have closed shutters.
03:29:59
I think to Brecht's point you might be able to explore something a little more modern here like I don't know it just the comment is the Bermuda shutters don't really fit in Charlottesville okay take it and run with it I don't know I had a question about this enclosure is it open air yes okay
03:30:26
I'm looking forward to eating there someday.
03:30:29
At the roof too?
03:30:32
The roof is open too?
SPEAKER_28
03:30:35
We would like to be able to put a retractable glass roof on top and we're exploring if we can afford that right now.
03:30:43
And I'll just say one more quick thing about the brick and just to repeat that maybe unlike the building on Main, this one has lost its skin, right?
03:30:55
So it has to have some type of protection and we can't replace every brick, right?
03:31:01
So yeah, we need some type of wash, that's for sure.
SPEAKER_05
03:31:07
I think if there's physical evidence showing those later windows, if that evidence is clearly demonstrated, then I could support taking them back out and patching in with brick.
03:31:18
We would just want to see a good report or the good ghost marks documented.
03:31:22
I'm trying to think of what else.
03:31:25
Sorry, I'm scrolling through.
03:31:29
I think the shutters are okay.
03:31:30
You've got the pencils in situ, so that shows there were shutters there at one time.
03:31:35
You know, stylistically you're modeling after an adjacent building, so I think that's a pretty easy argument.
03:31:42
You know, otherwise they'd be more like a louvered shutter, but you've kind of got what your basis of design is on.
03:31:50
I, like Breck, I'm a little concerned about the multi-story portico on the east side, just because it wasn't there historically, but see what, see where we go.
03:32:04
I'm not totally opposed to it.
03:32:06
Did you happen to, I know you're very early on, but in terms of the handicap ramp, were you able to kind of
SPEAKER_28
03:32:16
Verify the slope works from the corner of the building to your side portico Yeah, it's about three feet high and we have the advantage of starting high, you know at the corner Oh, yeah, and it's a one in twelve ramp on there So we're just short of the corner of the building.
03:32:29
Okay good, and we have enough for the one foot extension of the handrail okay, and We just try to make that almost disappear by having it brick like everything else in the field No, I think that's I was worried mostly about it coming out in front of the building and the handrails
SPEAKER_05
03:32:45
You know, you might, we mentioned another project, but you might check your height to make sure you don't have to have a guardrail at the top or how you finesse that.
SPEAKER_28
03:32:54
I've checked that.
03:32:55
We're right at the edge, at the north side of the portico.
03:32:59
Fantastic.
SPEAKER_05
03:33:01
I think that's it.
03:33:05
I mean, I'm excited that this building's getting some love.
SPEAKER_17
03:33:12
Got a couple clarifying questions to ask.
03:33:16
In the trellis room, the ivy is intended to be live ivy that would take time to grow and grow up the wall.
SPEAKER_28
03:33:22
Yeah, and you can see there's none on the back shown here, but we showed it on the interior shot because it doesn't obscure the architecture as much.
03:33:30
So here we're just trying to show the architecture.
03:33:33
But the idea is that it is covered with ivy.
03:33:36
And we actually have some photographic examples of places in New York and on the East Coast that have similar treatments.
SPEAKER_17
03:33:46
And then I think there's some clarification on the paint colors.
03:33:53
I don't know if the rest of the board's aware, but they've painted some samples on the front of the building.
03:33:59
And then it sounds like from the renderings to what you've painted to what you were describing tonight, you're still kind of figuring out what the strategy is.
03:34:09
But I am a fan of the way the rendering looks with the white
03:34:15
window trims with the green shutters, but the sample on the front of the building has one window frame all in the blue-green, which definitely stood out to me and didn't feel as natural as the renderings feel.
03:34:30
And then I guess now the intention is that the white would be replaced with the sagey green, the lighter green, which I'm sure you would
03:34:41
Oh, yeah.
03:34:48
and more of a fan of the current rendering as opposed to some of the samples that are out on the building at the moment.
03:34:59
I for one do not mind the Bermuda shutters.
03:35:03
I understand the need to get light in there but also to screen.
03:35:07
So I feel like they do a good job of doing that.
03:35:18
I think those are my only comments at the moment.
03:35:22
I guess we've talked about gas lanterns a bit.
03:35:27
I for one was a fan of a building as you were coming down High Street across from Tarleton Oaks that had two bright gas lanterns right at the front and they were there for quite a few years and just because you stopped at the stoplight they looked really nice.
03:35:42
Those have since been removed and replaced with bad lights but just thinking about
03:35:46
Gas in general has been something that they're not approving new residences with gas in the city, but wouldn't want it to be something that you invest in and immediately find that everyone's moving away from gas.
03:36:02
It's just something to think about.
03:36:05
I don't know.
03:36:06
There's not, to my knowledge, not a good way to get that feel of the glass flicker without doing gas.
SPEAKER_28
03:36:15
It's a tough question because it's an environmental thing, right?
03:36:18
But it's also, if you were going to do gas lights, where would you do them?
03:36:22
If you were just going to do them in one place, I would say Court Square.
03:36:25
But I certainly appreciate what you're saying.
SPEAKER_16
03:36:28
There's a property we did at 801 East Jefferson, corner of 8th and Jefferson, and we did two gas lanterns, which are the same ones we would like to use here, if anybody wants to look at this.
SPEAKER_13
03:36:45
Yeah, I would say in general this is really successful, really nice interventions, really a nice hand here.
03:36:52
I actually really like the east porch.
03:36:55
To me it is different enough and is really nicely proportioned.
03:37:04
Did you ever think about painting the entire tablature?
03:37:15
One thing when I look at this rendering, the graphic feels almost a little too strong and a little too commercial to me.
03:37:26
it would sort of blend in a little more if it were on a painted entablature and I think the building could kind of handle that but you know it's a detail.
03:37:35
I think that the lime wash is not a detail though that's something that's really going to impact this tremendously and I like sort of the effect that the rendering is showing and I like the idea of the lime wash that's going to help you
03:37:47
You're going to be happy that you have something to even things out.
03:37:51
But that sample that you showed is not it.
SPEAKER_16
03:37:54
That was done in the rain.
SPEAKER_13
03:37:56
So we would have to see that because I think it's going to be super impactful here.
03:38:05
Bermuda shutters, I mean, they're a little weird here, but have you thought about interior plantation shutters of some sort that don't go all the way up so that you can get some sky?
SPEAKER_16
03:38:17
So usually when someone walks into their guest room, they want light coming in.
03:38:23
So if you have the shutters closed so you don't want them to see the satellites at 29, then you're going to walk into a dark room.
03:38:29
So all my in rooms, you know, guests walk in, it's well lit, the curtains are open, light's coming in, it's just a much better atmosphere.
SPEAKER_13
03:38:41
I guess I was thinking you could do something from the bottom up that is still allowing light in through the top.
03:38:47
I guess that gets into more of the interiors, but from an exterior standpoint, the Bermuda shutters, I find a little bit odd.
03:38:54
And you are removing all the storms, right?
03:38:59
Yes.
03:39:01
But you're keeping the single glazed windows?
03:39:03
Yes.
SPEAKER_28
03:39:05
We may add additional glazing on the interior.
SPEAKER_13
03:39:08
Yeah, but this is really going to be a huge improvement for Court Square.
SPEAKER_28
03:39:17
I'm not sure why Bermuda shutters are so strongly associated with coastal conditions.
03:39:24
So I think it's just our perception.
SPEAKER_13
03:39:26
Well, I actually wonder, you know, when you look out one of those, you're going to be sort of directed down your view.
SPEAKER_28
03:39:33
That and that, you know, the in the Bermuda shutter, the the the fins are more horizontal when they're in that position, right?
SPEAKER_02
03:39:41
So you can look through straight through a little bit.
SPEAKER_15
03:39:51
I echo a lot of what's been said.
03:39:53
I think, wow, I'm really glad you guys are doing this.
03:40:01
Really, my only concern is the two-story porch on the side.
03:40:06
And I think it looks great.
03:40:08
It's just the concern that, is someone going to look at that and think, well, was that there 100 years ago?
03:40:18
Yeah, if you guys are really set on that, I'm not sure I'm going to push too hard on it.
03:40:25
But if you can think of some ways to maybe make it a little more obvious, I don't know how, let you guys be the designers on that, that it is a little bit differentiated or less
03:40:43
less deceptive that it was an original part of the building because the lower story of it you could say is you're trying to replicate what was originally there.
03:40:57
Yeah I mean the Bermuda shutters are not really something you find in Charlottesville but it's the back of the building so I'm not gonna comment on that at all.
03:41:08
I mean I think you guys are trying to create an experience and you're trying to create a certain aesthetic and it's not in the public realm so have at it as far as I'm concerned.
03:41:26
Roger had mentioned the signage.
03:41:29
Just check the signage ordinance just in case.
03:41:32
I don't know that you actually can put signage that high on a building in Charlottesville.
03:41:37
Jeff would know that better than I would.
03:41:39
Anyways, this is great.
03:41:42
I can't wait to see what you guys bring back to us when you're ready for final approval.
SPEAKER_20
03:41:48
We're ready.
SPEAKER_07
03:41:50
The bottom portion of the cornice, is that painted brick, or is there a board there?
03:41:56
It's all white now.
SPEAKER_28
03:41:57
It's painted brick and exposed brick, I think.
03:41:59
But I think it's mainly painted now.
SPEAKER_07
03:42:01
Right.
SPEAKER_28
03:42:01
Yeah, painted white now.
SPEAKER_15
03:42:03
There's boards over the recessed porch area, but yeah.
03:42:07
Oh, yeah, yeah, yeah.
03:42:08
I see what you're saying.
SPEAKER_28
03:42:09
Just in the recess, yeah.
03:42:11
That's wood.
SPEAKER_07
03:42:12
And your intention is to basically take all that painted brick, all the paint off that part of the brick.
SPEAKER_13
03:42:19
Is it a wood cornice or is it a brick cornice?
SPEAKER_28
03:42:23
Just the top part is wood, but below that, yeah, the crown.
03:42:27
Below that, the frieze or whatever you want to call it above the windows, that's brick.
03:42:32
It has so much paint on it.
03:42:33
And to my knowledge, it's never been wood over the brick that I could see.
03:42:38
Yeah, but I think it was painted brick.
03:42:40
It was painted brick, yeah.
SPEAKER_13
03:42:41
Even when it was red.
SPEAKER_28
03:42:42
That's right.
SPEAKER_05
03:42:44
Yeah, I mean, I think Roger had a good idea
03:42:48
of maybe considering leaving that painted.
03:42:51
And that might help if you're allowed to put your sign up there.
03:42:55
It might help it kind of blend a little better.
03:42:58
I also just, one other last thing, it's really just more of a piece of advice.
03:43:02
I saw you all had some fine paints of Europe spec.
03:43:06
There's a mold inhibitor that you're supposed to put in in the primer coat and each coat.
03:43:11
I highly recommend to make sure your painter puts in that mold inhibitor.
03:43:16
I've seen what happens when you don't.
03:43:20
Good point.
03:43:24
They specified fine paints of Europe for certain things.
03:43:28
I can't remember which.
03:43:29
Not the brick.
03:43:30
No, no, no, not the brick.
SPEAKER_02
03:43:31
This would be on wood.
SPEAKER_28
03:43:33
And this is a close-up of the annex building, which does not have the painted breeze, but the other three encore does.
SPEAKER_15
03:43:42
As you guys are doing your test painting and whatnot and the testing on the brick, how reversible is that?
03:43:49
Totally.
03:43:50
John said it will totally come off.
03:43:51
Okay.
03:43:54
Just in case.
SPEAKER_05
03:43:57
Definitely.
03:43:58
Do your tests on the really bad supplies.
SPEAKER_28
03:44:07
Also, the column capitals are red on this side, but they're white on the other.
SPEAKER_04
03:44:11
I think I stepped in a hole while taking the picture.
03:44:16
It's always troubling, these images, once they get up on the big screen, you go, oh boy.
SPEAKER_16
03:44:24
So the newer windows all have different mullions in every window.
03:44:30
They're different than the larger ones.
03:44:33
So that's one.
03:44:36
You can see some of the failure over that top right window that I think indicates that it was a retro job I'll stop flicking
SPEAKER_15
03:45:04
Do you guys have any questions for us?
SPEAKER_28
03:45:05
I think you gave us a lot of good direction.
03:45:10
I'd like to try to herd all of that into one consensus tonight of, I think, some of the issues that you mentioned, like the cornice color, the brick wash, the back addition.
03:45:26
And the Bermuda shutters are not.
03:45:28
And we just need to know where you
03:45:32
where there's some consensus and it's informally.
03:45:35
We can try that.
SPEAKER_15
03:45:37
As far as the whitewash is concerned, how many of you guys are opposed to it, would not vote for the whitewash?
SPEAKER_05
03:45:49
That's something I'd love to see some samples of.
03:45:52
We're happy to do that.
03:45:55
White or red, something like that.
SPEAKER_07
03:45:57
I think it's fair for us to give you our assessment of just that one photograph since it was taken today and it was one test.
SPEAKER_16
03:46:04
Poor John was out in the rain freezing hands and it was not a good one.
SPEAKER_15
03:46:08
So the consensus on this is we'd like to see better samples, but we're not 100% opposed to the whitewash idea.
SPEAKER_03
03:46:15
I'd just say the rendering is not the whitewash as it's shown in the rendering.
03:46:24
If that's the goal, I don't feel that's appropriate.
SPEAKER_05
03:46:29
So when I say the word line wash, that doesn't indicate a color, just the material, right?
SPEAKER_28
03:46:34
Right, right.
SPEAKER_07
03:46:36
Yeah, the rendering's a little misleading, I guess.
03:46:39
I know it's hard with those sometimes, but in that case, it's almost better just to see the actual samples of what you're trying to get.
SPEAKER_28
03:46:50
I think that's where we are here at this point.
SPEAKER_15
03:46:53
And I'm hearing a couple different things.
03:46:57
Not like the rendering, I'm hearing wash could be many different colors.
03:47:03
Are we a whitewash?
03:47:08
Is that something that, yeah, James?
SPEAKER_05
03:47:12
It doesn't suit me very well.
SPEAKER_15
03:47:14
OK.
SPEAKER_16
03:47:14
Yeah, we don't want it to be a whitewash.
03:47:16
We definitely want it to have depth and have grays and cranes not white.
03:47:25
That is not our goal.
03:47:27
I mean, there are areas that you can see on the other side that kind of resemble where they had taken the paint off and it was still there.
03:47:36
We'll just have John do a lighter version.
SPEAKER_15
03:47:41
The Bermuda shutters, is that a deal killer for anybody?
03:47:46
No.
SPEAKER_15
03:47:47
Breck?
SPEAKER_03
03:47:50
I wouldn't vote against the project because of the shutters.
03:47:57
feel that they're not in keeping with our guidelines.
SPEAKER_15
03:48:01
The entablature at the top, whether it's painted or they take the paint off, any strong opinions?
SPEAKER_05
03:48:12
So I was trying to look back at the historic photographs, which it's kind of, I don't know.
SPEAKER_03
03:48:21
It appears painted in the historic photograph to me.
03:48:24
Yeah.
03:48:26
I'm concerned if the paint removal in the past was an introduction of problems to the brick, would it be slow to remove more paint?
SPEAKER_05
03:48:37
I think it also just actually reads more as an entablature when it's painted.
SPEAKER_15
03:48:48
Is the porch, the two-story porch that is currently a fire escape?
03:48:56
Deal killer for anyone.
03:49:04
I personally need to just kind of mull that over a little bit.
03:49:07
I like how it looks.
03:49:08
I just need to get it through my head that is, is it deceptive or not?
03:49:14
And if you guys can think of any ways that maybe it wouldn't be.
SPEAKER_28
03:49:18
If it's helpful to see it in a 3D model that you can move around and get sort of a video in your mind of it, we could show you that as well.
SPEAKER_15
03:49:24
Your rendering does a pretty good job.
03:49:26
Yeah, it is.
SPEAKER_03
03:49:31
I feel like I just guess I would encourage them if they felt like they wanted to be a little bit more contemporary and that it could be.
03:49:39
I also feel like it's going to be really awkward seeing the fire stair coming up through that floor when you're walking past the building on the sidewalk.
03:49:47
And maybe it's just trying to do too much to screen that.
03:49:50
It might just be better with a one-story portico and the fire stair being what it is.
SPEAKER_15
03:49:59
I mean, that makes sense to me, but I think you've got two of us that are gonna issue that.
SPEAKER_16
03:50:04
For safety reasons, I'm hoping we can get the local fire to do a different fire escape for us than that, because it goes all the way to the ground, which I think is kind of a security issue.
SPEAKER_07
03:50:19
Actually, the plan is to keep the current one.
SPEAKER_28
03:50:23
Yeah, the issue normally in the code is you can repair it as it is, but if you try to replace it, you run afoul of the exceptions in the existing building code.
SPEAKER_11
03:50:38
Were there other controversial issues that I forgot?
SPEAKER_28
03:50:48
Not really.
03:50:50
The rear of the building?
SPEAKER_15
03:50:53
If they ran with their current concept on the rear of the building, would anybody deny the project for that?
SPEAKER_04
03:51:10
What you're saying is it complementary with the satellite dishes?
SPEAKER_28
03:51:14
That's another way of putting it.
03:51:17
I also failed to mention that the roof may need repainting.
03:51:21
And we'd keep it the same color, probably, that teal green.
SPEAKER_15
03:51:26
That's probably in Jeff's administrative review type category.
SPEAKER_04
03:51:29
Didn't know it had a roof that was painted.
SPEAKER_05
03:51:31
I guess the only other thought was, like Tyler said, trim colors.
03:51:38
That would be good to review on site.
SPEAKER_16
03:51:40
Yeah, we'll just put samples of what we just did one.
03:51:44
I had a question for Jeff about on the portico that we're trying to replicate the stairs that come toward 6th Street.
SPEAKER_28
03:52:04
are over the property line, which is really weird.
03:52:08
The property line goes through the middle of our building.
03:52:11
So the right of way is through the annex building there on the left.
03:52:15
So that's the pinch point.
03:52:17
But normally there's some sort of easement required or something, but would it be historically granted or administratively granted?
03:52:25
I don't know.
SPEAKER_04
03:52:27
Not from my office, possibly in City Hall.
03:52:34
All I can say is that when we've had
03:52:38
inquiries about on the mall of something that encroaches even a little bit.
03:52:46
You don't want to ask that question was the kind of response I got.
03:52:49
Not saying it's a no, but a little more complicated.
03:52:57
This is one where
03:52:59
I can have a comment because, and just so you all know, my boss has been involved in this and they've met with the building official and so we realize this project needs some help internally so I at least have the attention of some people but I can ask but I don't know.
03:53:22
I think my gut tells me anything that
03:53:27
starts to get into negotiating with the city on a property line is, I don't know, choose your poison.
03:53:35
But if it's necessary for getting in and out of that building and what it takes, but let me find out.
SPEAKER_28
03:53:43
It's just such an odd property line condition to have it go through the middle of your building.
03:53:47
So I've never really encountered that before.
03:53:49
And I'm used to encroachments being granted for a roof overhang, stairs, door swings, that kind of thing.
03:53:54
But this is a really odd ball.
SPEAKER_05
03:53:57
Do you have to, let's say they say no, you can access that port by the ramp.
SPEAKER_28
03:54:02
That's true, yeah, if they say no.
SPEAKER_05
03:54:04
Aesthetically it's nice to have a stairway.
SPEAKER_28
03:54:06
Aesthetically, yeah.
SPEAKER_04
03:54:08
What's under the ground there, you know?
SPEAKER_05
03:54:09
Yeah, there's also a quaysite box you gotta deal with.
SPEAKER_15
03:54:17
Sounds like it's not our purview, unfortunately.
SPEAKER_28
03:54:20
Yeah, it's planning commission kind of thing usually.
SPEAKER_11
03:54:23
Oh gosh, I hope not.
SPEAKER_28
03:54:28
But let us know on that.
03:54:29
That's sort of a major deal for us.
SPEAKER_15
03:54:35
Anything else you guys want from us?
SPEAKER_03
03:54:37
I have one last comment.
03:54:40
We didn't speak to it, but the up and down lighting of the pilasters.
SPEAKER_02
03:54:45
Yes.
SPEAKER_03
03:54:46
It seems very difficult given the shallowness of the facade.
03:54:50
I'm not sure quite how that's going to work and assume that the light is actually going to have to project off the face of the building and you're just going to want to know what that is going to look like.
SPEAKER_15
03:54:59
Got it.
03:55:01
I didn't even catch that.
03:55:02
You have up lighting on the pilasters?
SPEAKER_28
03:55:04
Up and down.
03:55:07
We have lights in the sidewalk and then lights in the cornice.
03:55:15
and we're talking about very minimal just highlight kind of landscape lighting.
SPEAKER_15
03:55:21
Obviously unless you put it in here and I missed it cut sheets would be great to have.
SPEAKER_28
03:55:29
Yeah and in fact in this rendering you see how the Capitol
03:55:34
intercepts the light a lot.
03:55:36
That's about as far as I can get it out into the soffit.
03:55:40
So it might have to be a surface mounted light in the entablature or in the corners.
03:55:52
That's a good point, though.
SPEAKER_16
03:55:55
All right.
03:55:56
Thank you so much.
SPEAKER_15
03:55:57
Thank you.
SPEAKER_28
03:55:59
Thanks.
SPEAKER_15
03:56:03
And our next item is 204 Hartman's Mill Road.
03:56:09
Another preliminary discussion.
SPEAKER_04
03:56:15
You guys have been waiting so patiently back there?
03:56:20
Wherever Bridget is, I told her, I said, kind of gauge where we go.
03:56:26
If we don't get to you until 8.50, we get 8.55.
03:56:34
My magic eight ball let me down with guessing.
SPEAKER_15
03:56:38
What's kind of sad is I think we're doing good for tonight.
03:56:41
I know, a little bit.
SPEAKER_04
03:56:49
What I really like is this is probably one of my favorite, as much as my house, you guys know, is at least three other houses that were moved to that site in 1884.
03:57:01
So I get the feeling that some of the parts they didn't get for my house, Mr. Nimmo, and I saw that's how it's correctly pronounced, Mr. Nimmo got for his house.
03:57:12
And so this is a preliminary discussion.
03:57:19
and this is an individually protected property at 204 Hartmans Mill Road and at the Nimmo house.
03:57:28
George Nimmo and his brother lived next door to each other and Mr. Nimmo, James and I found, this is still in the ground, about 100 feet north of this house.
03:57:42
And you all were there, or a lot of you on the board were there.
03:57:48
Sorry, I made light of it.
03:57:49
It was too funny.
03:57:50
It was our first excursion under COVID, and none of us really knew what to do.
03:57:54
We hadn't seen each other, and that's why this house will be so memorable.
03:58:00
But what they're bringing to you tonight is
03:58:06
There's just two editions on the west side of the house.
03:58:12
It's still being developed a little bit.
03:58:15
I didn't realize, Breck, I still had you on the screen.
03:58:21
Okay, there it's coming.
SPEAKER_06
03:58:36
What's that?
SPEAKER_15
03:58:38
Just a servant's cottage that was demolished on the property.
SPEAKER_04
03:58:44
That was a 1920s
03:58:52
I'm not sure what was holding that thing up.
03:59:11
That was worrisome.
SPEAKER_05
03:59:13
So yes, that- Even though Cheri made us go back and fix the lights and pull it out during our investigation.
SPEAKER_04
03:59:21
I felt like I was in time out.
03:59:23
The Nimmo house.
03:59:25
Nimmo house.
03:59:26
And sorry.
03:59:29
But that's why it was so funny when I saw this come up.
03:59:31
And all we can think about is Billy's mannequin music instrument.
03:59:38
And I think I asked Bridget about it.
03:59:41
All right, so I'm going to let them present this.
03:59:47
It really is just, again, a discussion of what they're planning to do and what questions we would have, materials, kind of details that you would want to see.
04:00:00
I know that
04:00:04
Bridget had corrected some things that were on their sketch that you know this is just a rough sketch so I think but we the way sorry been a long night Bridget this stage is yours and you tell me which which images you want okay
SPEAKER_26
04:00:21
I'm Dan Zimmerman.
04:00:22
That's okay.
04:00:24
I was the one listed there, so I didn't want to surprise you all with Bridget.
04:00:28
So I'll introduce Bridget.
04:00:30
She's our design architect, and she'll be leading you through this.
04:00:32
But I think tonight we, you know, this is very, very, very preliminary.
04:00:38
And so you all may have more questions than we have answers.
04:00:43
but our thought was to come in front of you and just present the project as it is and the way you put it, Carl, was like are there any deal killers here?
04:00:52
That's what we're looking for.
04:00:54
I'll introduce you to Bridget.
SPEAKER_00
04:01:02
Thank you.
04:01:03
Hi, I'm Bridget.
04:01:07
We've been tasked this fall to do a whole house renovation
04:01:12
and Addition.
04:01:15
If you look at the photos, you can see the house has now started to fall into disrepair.
04:01:18
Our client has expressed one of the main goals of this project was simply just to fix everything that is failing or broken.
04:01:27
This is including but not limited to the exterior siding, windows, doors, the roof, the deck, etc.
04:01:35
It's a lot.
04:01:38
In addition to rehabilitating this house, our goal has been to respect the historical nature of this home.
04:01:44
while also bringing it up to a comfortable and functional living standard up to current codes to make more energy efficient and to make programmatic changes with the new interior layout and new spaces that will improve the overall space based on our client's needs.
04:02:01
In doing so, we were also looking to achieve as much as possible programmatically with a relatively small new footprint for the additions.
04:02:10
So as you can see, our proposed plan currently shows two small bathroom additions.
04:02:17
Also, if there is a way to reduce it down to just one addition, and that works out with adjacencies, then we could consider that as well.
04:02:31
Although we're very early on in our design process, we are assuming a few new window openings at the proposed kitchen location and for all existing windows doors to be replaced, new exterior siding throughout, and a new roof.
04:02:47
I was reading over the guidelines and it sounds like the best way to handle the new edition spaces is to articulate them in a slightly different manner.
04:02:57
That it relates to the original house structure but that you can see it was done as an edition.
04:03:05
So maybe something like a Borden-Batten siding for the edition while keeping with the horizontal lap siding at the original building facade.
04:03:22
and that's all I have for you.
SPEAKER_15
04:03:32
Well first, do you have any specific questions for us or do you just want us to dive in?
SPEAKER_00
04:03:36
I do if you want me to just kind of rattle off my questions.
04:03:39
And again, these were just kind of things that I was thinking about through reading your design guidelines.
04:03:48
Are there any restrictions on the number, size, style, and placement of new windows, both at the new window locations and for replacement windows?
04:03:58
We plan to propose a metal standing seam roof But in the event that we would need to VE some of the costs down Would asphalt shingles be acceptable?
04:04:09
And then my last question was, if there are any restrictions or specific style guidelines for other exterior elements such as the outdoor storage area, decks, railings, and lighting, any input would be appreciated.
04:04:25
For example, would something as contemporary as a cable railing for the new deck be outright rejected, or would that be OK?
SPEAKER_15
04:04:42
Is that all of them?
04:04:48
Who wants to start?
04:04:51
If no one, I can start.
SPEAKER_04
04:04:52
I'll start.
04:04:56
And Carl had asked me this question, and I think I partially answered it, but just that understanding of what's historic, what's not, if that matters.
04:05:11
I know you had mentioned the replacement of the siding doors and windows.
04:05:16
We're getting into the exterior walls of the existing a little more than the addition, so that's something to understand.
04:05:24
So if you've got a question about what's what that you're looking at, I can certainly pull up that drawing.
SPEAKER_15
04:05:33
Why don't you pull up that drawing, if you can?
04:05:35
That was helpful.
SPEAKER_04
04:05:38
Wait, I did something.
SPEAKER_15
04:05:39
Did you send that to everyone or just me?
SPEAKER_04
04:05:41
I share it with Bridget, and she was like,
SPEAKER_00
04:05:46
We had an interesting discussion about, like, so from what I was able to discern and
SPEAKER_04
04:06:05
This is why it was an interesting historic survey to read.
04:06:10
Literally in the notes, whoever was taking the notes, whoever they're talking to was arguing.
04:06:16
And there's one place where she said, she says rear is older, he says center.
04:06:24
There's pieces of this sprinkled throughout.
04:06:28
And in fact, at one point, someone makes the comment that
04:06:34
The guy's girlfriend, her grandfather's girlfriend, was older than her mother.
04:06:41
And that's written out into these notes.
04:06:44
So not only is this a survey of this historic building, but there's also this narrative in there that's buried.
04:06:51
And it's been so it's trying to un, you know,
04:06:57
Unwrap this.
04:06:58
We know, and I think this is generally what you had heard, is that this center was the original or an initial piece.
04:07:10
And whether it was one or two sections, I'm not sure.
04:07:14
There is reference to a later, to an exterior kitchen.
04:07:18
And I can't determine if it was this or this or this and this.
04:07:26
but one of these was the kitchen and may date to the house.
04:07:32
At some point then those got incorporated into the house because on this inside wall are shutters.
04:07:39
Didn't you say shutters on the windows inside?
04:07:41
Correct.
04:07:41
Then at some point this in the blue extends to here because the center line of the roof is right here so this was added on
04:07:52
It's been nagging me why there's this chimney at the back here Maybe that was the kitchen
04:07:57
Well, the note here said the back bath was porch.
04:08:02
He put in second fireplace.
04:08:05
But yet, is there a chimney where there would have been a kitchen?
04:08:11
And I can't really figure out what this may or may not have been.
04:08:16
So the best I can say, this is how I left it with Carl, I'd be 100% confident saying that what you're looking at here is what we know occurred
04:08:26
When the Nimmo family expanded greatly in that period between 1880 and 1920 and seemed like with every new kid or new grandkid they added and eventually got to where they added the cottage in the back and then added two more additions onto that.
04:08:44
So
04:08:45
they say this was a porch here that whoever it was added the second fireplace to.
04:08:51
So possibly this was, it's possible this was the kitchen.
04:08:56
And that leaves us with in there out here on the west side which is this in their plan here that's the existing kitchen which is
04:09:10
I can tell you that that's not historic.
04:09:13
I don't think any of the deck is historic.
04:09:15
I don't think any of this here is historic.
04:09:17
And so the additions would be, to me, seeming, you know, not necessarily affecting the historic fabric that we know of.
04:09:27
The two windows here, new windows into this wall.
04:09:34
That would be, and then otherwise, you said replacing windows and siding.
04:09:38
I think that's another discussion for the other to set aside.
04:09:42
So does that help?
04:09:45
And then I know they're going to build a new deck in the back.
04:09:47
That's part of the, or actually, yeah.
04:09:50
So does that help contextualize this Winchester house?
04:09:57
here in Charlottesville.
04:09:58
I think it's still somewhat confusing but I think it helps.
04:10:05
I thought I had it figured out and then Bridget responded with something I was like... We know that there were three periods of construction
04:10:25
and that's what we saw with the cottage, really line up with children and grandchildren being born.
04:10:33
I just can't, nothing in here, in fact there's
04:10:40
is conflicting language on which is what.
04:10:43
Remember, he said it wasn't the oldest and she said it was.
04:10:46
So that's what I said.
04:10:48
The best we can do, I think other than going and poking around in there, I don't think we're allowed to go over there anymore after the light incident.
04:10:57
So sorry.
SPEAKER_05
04:10:59
Just say crawling under the house would be the best way to figure it out.
SPEAKER_04
04:11:05
or if that matters.
04:11:09
The structure in and of itself is that it's dated that 1870 to sort of 1920.
04:11:14
That was that period of it became what was the IPP.
SPEAKER_15
04:11:20
Is there a chimney off the bedroom soon to be kitchen existing?
04:11:25
Am I seeing that in the pictures?
SPEAKER_04
04:11:27
There's a chimney in this room here.
04:11:30
We know this one and this one.
SPEAKER_15
04:11:34
OK, so the little guy, because I thought I could see a little thing poking up on what would be the better edition, but I can't.
04:11:45
Yeah, upper left picture, kind of upper left.
04:11:47
Isn't that sticking up over the, that's your right, Jeff.
SPEAKER_14
04:11:52
Here?
SPEAKER_15
04:11:52
That's your right, Jeff, left.
SPEAKER_03
04:11:54
The pictures from the back show three chimneys.
SPEAKER_14
04:11:59
Oh, yes, the bottom middle picture.
04:12:00
Is that a chimney over there?
SPEAKER_04
04:12:04
That is this chimney right here over that bedroom addition.
SPEAKER_15
04:12:07
So that's the side wall of the new kitchen.
04:12:12
Correct.
04:12:13
OK.
04:12:14
With that, thank you.
04:12:16
Oh, there it is.
04:12:19
Sorry.
04:12:20
One more page, I would have seen it.
04:12:24
Since I thought I was going to start, I'll start.
04:12:28
New windows, just need to meet our guidelines.
04:12:31
Be wood or aluminum clad or something like that.
04:12:35
No vinyl.
04:12:37
Replacement windows.
04:12:40
you really need to kind of prove that they need to be replaced.
04:12:43
So we've asked for pictures in the survey just to say that these windows are rotten and falling apart.
04:12:50
And depending on how the board is feeling, you know, primary facade windows tend to be more important than secondary facade windows as far as keeping them.
04:13:03
But that is all kind of dependent on the project.
04:13:08
and this one doesn't really have a, I don't know what the front of this house is.
04:13:14
The metal roof, changing that to asphalt is going to be a difficult sell, at least on the,
04:13:30
historic and front-facing roofs.
04:13:35
I think you're probably going to be stuck with metal.
04:13:38
The rest of the board can correct me on that, but I think that's probably a given.
SPEAKER_00
04:13:42
Budget for it, OK.
SPEAKER_15
04:13:44
The new stuff.
04:13:49
I think you're generally, if you want to go contemporary, I think you could be okay with that.
04:13:55
I mean, cable rails on the new deck, things like that.
04:13:59
Especially if it's on the back of the house, I think we tend to give a lot of latitude to that.
04:14:05
And again, I'm speaking for everyone else so they can jump in and tell me I'm crazy.
04:14:11
The Fireplaces, Chimneys, usually best to try and keep those if you can.
SPEAKER_00
04:14:18
Yeah, those are all existing to me.
SPEAKER_15
04:14:21
And I guess the one that's in the soon to be kitchen, I don't know if that really counts as a
04:14:28
We may give you some trouble for that.
04:14:29
If you can keep it, that'd be great.
04:14:31
If you have to get rid of it.
SPEAKER_00
04:14:32
The chimney?
SPEAKER_15
04:14:33
Mm-hmm.
SPEAKER_00
04:14:34
I think we can keep it.
04:14:35
That one right there.
04:14:36
Yeah.
SPEAKER_15
04:14:36
And I guess it kind of depends on, it's a little hard to tell what shape that's in.
04:14:43
What else did I see in here?
SPEAKER_05
04:14:44
It doesn't even look like some exterior wall, does it?
04:14:51
Yeah.
SPEAKER_15
04:14:56
The idea of the board and batten siding on the new portions, I think that's a great idea to differentiate but still fit in.
04:15:05
The siding, yes.
04:15:11
Oh, that's going to hurt.
04:15:12
That's wood siding, is it not?
SPEAKER_00
04:15:14
Yeah, exactly.
04:15:21
Mm-hmm.
04:15:22
Like, you know, obviously they're gonna want something that's more maintenance-free, like a hardy plank product.
04:15:28
Is that acceptable or would you insist upon wood?
SPEAKER_15
04:15:31
I think you're gonna want to show us that that siding is not salvageable.
SPEAKER_00
04:15:35
Okay.
SPEAKER_15
04:15:37
Is that fair?
04:15:38
Yeah.
SPEAKER_04
04:15:39
Yes, similar situation up on Park Street at 743 and then I can share with you all what we've done, what I did at my house and what we've shown with other people sort of trying to realize to a certain extent not everything is salvageable but some is and so I can share some information about that.
SPEAKER_15
04:16:06
As far as where you're putting the additions, that seems to make sense.
04:16:12
That is the newest portion of the house and it's kind of off to the side.
04:16:20
The new windows in the kitchen.
04:16:26
I think as a board, you guys can weigh in on that.
04:16:29
I don't know where I would stand on that.
04:16:32
You are cutting holes in historic fabric, so I think I'll let the rest of the board respond to that.
04:16:42
And I'll shut up.
04:16:44
Anybody else have comments or disagreements with anything I just said?
SPEAKER_05
04:16:54
Making the New Editions, Sympatico, but modern is making us fun.
04:17:01
It's kind of what we like to see.
04:17:16
Cutting windows into that would be tough as well.
04:17:24
Yeah, I would definitely encourage trying to salvage the wood siding to the greatest extent possible.
04:17:30
I mean, you may find that really you just need to replace the bottom so it will feed or something where there's maybe water damage.
04:17:37
But let's hope so, right, like this.
04:17:41
Because really, I mean, you can kind of see it in just that picture right there.
04:17:46
Part of the charm of this house is that it's got a lot of variation and weathering.
04:17:54
that you're going to lose when you go to a man-made process material that's still perfect and exact.
SPEAKER_00
04:18:01
I agree.
04:18:04
Would the best way to verify if it is salvageable or not, both for the existing windows and the exterior siding to have you all come do another site visit, if you're the ones that are making that determination, if it is or is not salvageable?
SPEAKER_15
04:18:23
Depending on your time frame, I'd probably use them.
04:18:27
Yeah.
04:18:31
I mean documentation of the windows, photographic documentation I think would be important no matter what.
04:18:37
But there might be a site visit in order.
SPEAKER_07
04:18:39
Take an ice pick.
04:18:43
Has it been failing or is there evidence of, is it just that the client wants to replace the old stuff that's there?
04:18:56
Are there problems that are visual?
SPEAKER_00
04:19:00
I'll have to revisit that with the client it may be that yeah maybe it was more that the clients just envisioned you know at this point we're gonna replace all the windows and but that yeah I I think I need to go and and you know really scrutinize
SPEAKER_07
04:19:25
I live in an old house too.
04:19:26
This came up earlier.
04:19:27
Yeah, same.
04:19:29
We seem to have recurring themes tonight, but there's sort of a burden sometimes as tiresome to live in an old house.
04:19:39
There are certain points where you're living there and you just want to say, I just want something I don't have to worry about anymore.
04:19:47
You almost forget the sort of
04:19:52
I guess the first question is what the issue is, if it's an actual problem or if it's more of an aesthetic thing.
SPEAKER_00
04:20:04
I agree for both the siding and windows to really understand more if it's salvageable or not.
SPEAKER_04
04:20:14
Sorry, I just want to show you.
04:20:22
With preservation, I always have that Abraham Lincoln's hatchet, and my grandfather replaced the head, and my father replaced the handle, but it's still Abraham Lincoln's hatchet, so it's like a point where he's peeling away everything.
04:20:39
and I used this and I think we shared this when you guys were doing the Park Street House.
04:20:44
One thing, so I got where we took off the cement shingles and then we took off all of the old siding.
04:20:53
One thing it allowed me to do was insulate from the outside so I didn't have to, you know, bust up the plaster and stuff.
04:21:00
And what we did was then we took all the siding off site, went through it, I probably salvaged about
04:21:09
40%.
04:21:10
We cleaned it up, primed it, and used it.
04:21:13
And then I bought Better Living's got a half inch by six inches pine board.
04:21:21
And then what it also allowed me to do was expose exterior and sort of just get that weatherproofing on there.
04:21:27
I didn't replace, I just had the windows stripped, re-glazed, and put them in.
04:21:31
They think they cost me 50 bucks a sash, so instead of, you know, $1600 window.
04:21:36
So, but just from the siding, this just made more sense to just get it all off, see what I had, you know, evaluate it.
04:21:45
I don't, you know, don't strip it on site, don't have all that stuff everywhere, and then went right back up again.
04:21:52
So that was, I just showed that as
04:21:54
for what would be one thing that would be one thing I would suggest as a way to look at that.
04:22:00
But there's also, if the siding is, you know, that's a way to get into, to weatherproof the walls and insulate if that's, but the BAR may
04:22:12
I think the BAR approved this.
SPEAKER_07
04:22:15
What's interesting about this house, I don't know if it's just the photographs or what, but the siding literally looks like it's almost hand cut.
04:22:23
There's sort of a wave to it.
04:22:25
It's fairly unique as well as the, I don't know if that's the original roof or if it's the second generation or however.
04:22:35
There is something to that.
SPEAKER_03
04:22:40
I'll go ahead with a few thoughts if that's all right.
04:22:53
This is one of the wackiest things I've seen in a while, and I mean that in the most wonderful way.
04:23:02
It's quite an adventure, I think, probably trying to figure out what the story of this house is.
04:23:08
And at least from what I gather is that the story is not about a single particular date, but about all of these successive adaptations and additions.
04:23:22
So I would just say in a global sense that like I would
04:23:28
not hurry to overly rationalize or pick a specific date for restoration or trying to tie it all perfectly together.
04:23:40
I don't think that's the way you would be approaching it anyway.
04:23:44
I think just finding out kind of what you have, identifying the pieces that are original to the additions that were made, and then feeling flexibility and freedom to create contemporary additions that play off of those other ones.
04:24:07
I'm not sure exactly what that looks like, but I think it's cool that you guys are tackling this house and I think you'll do it.
04:24:17
Knowing you guys as designers and thinkers, I'm excited to see what comes of it.
SPEAKER_00
04:24:24
Thank you.
SPEAKER_04
04:24:30
I didn't know if some of you had seen this when we did the cottage, but this was kind of reconstructing
04:24:43
And then on the replacement of the roof overall, I mean I know mine is
04:24:53
just over 100 years old and probably slightly more than that.
04:24:57
But it just, I mean, at some point they just can't keep painting them.
04:25:03
And so I tended to treat that as a maintenance repair.
04:25:09
So if you're replacing metal, I understand that.
04:25:13
I mean, if it were built in 1950, that would be a little different.
04:25:18
So, but was the question about the roof on the additions or was that about the roof over on the entire structure going with asphalt?
SPEAKER_00
04:25:29
I guess the asphalt was like in the event that you know the budget was getting quite tight and you know they said that they couldn't go forward with metal like we all agree that we would want like you know
SPEAKER_04
04:25:44
My wife is asking me the exact same question on my house.
04:25:48
It's a $40,000 project, but we have allowed changes of roofs, and I'm offering them some thoughts.
04:26:08
If something is going to be replaced, and then maybe that reversibility of that repair, it doesn't tear the roof off, that something could be put back on later.
04:26:18
That's one way to think about it.
04:26:19
But I do think that the question of the cost of roofs is going to be something we have to wrangle with.
SPEAKER_17
04:26:29
The existing roof is painted standing seam, and it needs to be replaced?
SPEAKER_00
04:26:38
Again, similar to the windows, I think we need to really take a closer look.
SPEAKER_15
04:26:47
We have had precedent.
04:26:51
like if there's an addition of the back of a house, and they want to replace the whole roof, we'll make them replace the front with metal, but the portions off the back have been asphalt, but you have done that before.
SPEAKER_00
04:27:04
Yeah, this was just like a very hypothetical question, so I think we can just continue along and see how it goes.
04:27:18
But Jeff do you do you have thoughts on like how how old the roof and the Exterior siding as it is is from I'm just curious.
SPEAKER_04
04:27:25
Yes, just having been out there I would say that whatever roof various roofs that are there look to me like That's what was from Yeah, just did not appear to me as something that's been
04:27:47
you know, redone in the last 50, 60 years.
04:27:54
Yeah.
04:27:56
I think that's another question, too, is with all of these routes cobbled together, are there any spots that have to be, you know, like where you've got something coming, you know, a valley coming down against the, you know, the other side of something?
04:28:09
I don't know, there might be some things a roofer needs to fix, but that's something... I wouldn't be surprised if the whole thing got re-roofed when the latest edition was added, some of that kitchen was done.
SPEAKER_05
04:28:19
I was thinking like 1920s-ish, somewhere in there, you know.
SPEAKER_15
04:28:22
Well, the kitchen has like a 1980s look to it.
SPEAKER_00
04:28:28
The new, the present kitchen.
SPEAKER_15
04:28:29
The one with the shot.
SPEAKER_00
04:28:31
Yeah.
SPEAKER_15
04:28:31
The first one here, yeah.
04:28:33
I mean, the 80s were, that was a long time ago, unfortunately.
SPEAKER_25
04:28:40
Yeah, so that's how I sort of... Can we get a drone photo?
04:28:44
The 80s kitchen that you're referring to is definitely a newer one.
SPEAKER_15
04:28:47
OK, it is.
SPEAKER_25
04:28:48
The existing main structure.
SPEAKER_15
04:28:51
It's older than that?
04:28:52
OK.
SPEAKER_25
04:28:53
Yeah, I was just sort of.
SPEAKER_05
04:28:55
It's significantly older.
04:28:57
Maybe the last edition before the kitchen.
04:29:00
Before the 80s kitchen, right?
04:29:02
Yeah, that does make it older.
SPEAKER_00
04:29:04
Like, yeah.
04:29:05
I'm just going to see that.
04:29:07
Yeah, 20s.
04:29:09
Yeah.
04:29:10
And same with the siding, maybe?
04:29:12
Yeah, with the siding, I would.
SPEAKER_05
04:29:15
Yeah, it might be good.
SPEAKER_13
04:29:17
Yeah, I would say it would be a shame to have you know, this is a house nothing but additions It would be a shame to have it all beside it the same You know, there's something really nice about like the different exposures and the different levels of Thickness probably that sort of tells the story of the house a roof is another story, you know, if the roof is leaking you need to like unify the roof and
04:29:44
but I would be very hesitant to remove the siding unless it needed to be.
SPEAKER_05
04:29:49
I agree.
04:29:51
It helps you understand the history of evolution in the house.
04:29:56
All the parts and pieces together are clues to when changes got made and when alterations or additions were added.
04:30:03
So stripping those away kind of
04:30:09
Hamstrings, the detective work, if you will.
SPEAKER_00
04:30:12
Yeah.
04:30:12
And just like, yeah, all the character of why it's special.
04:30:16
I get it.
SPEAKER_13
04:30:16
I can't tell if the screen is warped or if the screen is fine.
SPEAKER_04
04:30:24
We need to take you out there.
04:30:26
Yeah.
SPEAKER_00
04:30:33
All right, thank you.
SPEAKER_04
04:30:34
You're welcome.
04:30:35
All right, Bridget, thank you.
04:30:37
And thank you for your patience.
04:30:39
We get a little, well, at the end of the evening, we try to find our life.
04:30:44
And that's, appreciate you enjoying our humor at Billy's mannequins expense.
04:31:00
In the middle of all that, my son texted me, my son who lives in Atlanta, I had to fill out a thing, you know the court, they want you to be on a juror, so I said well I filled it out and explained everything but apparently I wrote
04:31:18
My eyesight so bad I wrote for I have reported as a juror, yes, he has not.
04:31:23
I have been convicted of treason or a felony.
04:31:27
Yes.
04:31:29
Well, so he doesn't have to serve on a jury.
04:31:31
So Will texted me, hey, Dad, thanks for your help, but.
04:31:37
So yeah, whatever.
04:31:41
So parenthood.
SPEAKER_05
04:31:44
I ignore the call from my uncle.
04:31:47
I'm just going to say for the record.
SPEAKER_04
04:31:48
You don't even know.
04:31:49
Yeah.
04:31:51
So Roger's son and Will grew up together.
04:31:54
And it's like, I mean, we both know that.
04:31:58
Yeah, we don't want to know.
04:32:01
What are your friends?
04:32:02
No, we don't want to know what your friends' parents think.
SPEAKER_15
04:32:04
So, do you have any after-meeting questions for us?
SPEAKER_04
04:32:09
I have only that I didn't print my agenda out normally.
04:32:15
As I mentioned earlier, first off, thank you for that conversation about the trees.
04:32:22
I think there's an attempt at bridging some things here and I think we will continue to have the conversation and I know Breck and I have talked a lot about this committee that the city manager has charged my boss with and so thank you for listening to that.
04:32:46
The thing I mentioned about a holiday event, it's really up to us.
04:32:51
Let's have that conversation.
04:32:53
There are no funds, so it's up to us.
SPEAKER_15
04:32:55
Social chair and social vice chair.
SPEAKER_04
04:32:58
And then the other question was
04:33:06
I mean, I say, Breck, you weren't on the phone earlier.
04:33:09
I said, we all you go to your backyard and we freeze the bocce court and play.
04:33:14
You know, we go curling and make pizza in your pizza oven.
04:33:19
The the other thing.
04:33:22
Yeah.
SPEAKER_03
04:33:24
I love the suggestion, by the way, of the bar.
04:33:27
The barbecue would be a great tradition to get to get going.
SPEAKER_04
04:33:34
It's right.
04:33:35
And then I think I gave some thought to the 2022 awards.
04:33:44
You know, I even went through like kind of what, what have we reviewed that's been completed.
04:33:52
All they could come up with was that canopy.
SPEAKER_15
04:33:55
Does it make sense for the awards to maybe be every two years?
SPEAKER_04
04:33:59
They are not, hey, the first three years we didn't do anything.
04:34:03
Unless you all had something
04:34:08
in mind, something that you've seen.
04:34:11
I'll tell you that the house down on Ridge Street that Joey Conover had worked on, one that's now white and I think they sold it.
SPEAKER_15
04:34:23
Oh, it had the fake brick on it?
SPEAKER_04
04:34:25
Had the fake brick asphalt on it.
04:34:27
That thing's incredible.
04:34:28
And it's like, ugh.
SPEAKER_15
04:34:29
No, that deserves an award.
SPEAKER_04
04:34:31
That's what?
04:34:31
Yes.
04:34:32
Yeah.
04:34:33
But I don't think, I just can't think of anything
SPEAKER_15
04:34:38
It's a design develops thing on Virginia Avenue, although I didn't like the demolition of the two houses.
04:34:48
Turned out really nice.
SPEAKER_04
04:34:49
Yeah, I went by the end of the day.
SPEAKER_15
04:34:50
Kind of shocked, actually, how nice it turned out.
SPEAKER_04
04:34:53
So there are, I'm saying I don't have anything.
04:34:57
And I couldn't come up with anything on the list.
04:34:59
Nothing jumped off the list at me, if you all have some ideas.
04:35:03
But it is not, we are not obligated.
04:35:06
According to Tim Moore, some of the awards we gave out last year never even got delivered.
04:35:11
So who knows?
SPEAKER_14
04:35:12
Who was supposed to deliver them?
SPEAKER_04
04:35:15
the postman.
04:35:17
So that's all.
04:35:21
Those are the only things I had.
04:35:22
Oh, you all got the good news?
04:35:30
Robert moved up to the big leagues.
04:35:31
I'm really proud of that.
04:35:32
I will say that on Channel 10.
04:35:34
Yeah, leaving the Charlottesville Historic Preservation and Design staff to go work for the New York Landmarks Commission,
04:35:44
He got called up and I could be more proud.
04:35:48
Molly is working with me.
04:35:50
I told her that she doesn't have to be here.
04:35:54
I think we'll maybe be working towards that but you all will certainly be hearing from her.
04:36:00
she is transitioning from her role as the GIS person and still sort of doing that job so she's not 100% helping me but she's been invaluable for this meeting she put got all this stuff up and and online and so I I couldn't be more pleased so but so my apologize apologies for the distraction I apologize for the
04:36:28
Ayer on 507 Ridge.
04:36:31
It won't happen again.
04:36:33
And I think we made the right call to bump that.
04:36:38
So just let me see what we can do.
04:36:42
With that, any questions from you all?
SPEAKER_07
04:36:44
Should we make inquiries about that?
SPEAKER_04
04:36:50
I think it's, I think everything's on the table.
04:36:53
I mean, it'd be like, I went home and I said, hey, I told my wife, I said, I think I, I know somebody's given away an old building I need to get in my workshop.
04:37:02
She goes, no.
04:37:03
And so, but, you know, that would be very unethical for me.
04:37:08
So I'm not going to, but it would, well, I was saying, you know, I've got an IPP, you know, it would become, you know, it would, it fit the period and all, but I'm,
04:37:20
I just would like to find a solution because I think we will lose the building.
04:37:29
Carl, you are historic.
SPEAKER_15
04:37:35
Oh goodness, with my 1940s, yeah, Tintin Page House.
SPEAKER_04
04:37:42
But again, you know, houses have been moved and buildings have been moved and it's, I don't know, maybe it's just another layer on the story of that one.
04:37:49
Maybe we can find a way to get it to Hartman's Mill.
04:37:54
Would they notice?
04:37:59
All right, with that, I will ask you all to adjourn, if you wish.
04:38:07
Thank you for the pizza, Carl, and see you in a month.
04:38:10
Have a nice Thanksgiving.
04:38:11
Thank you.
04:38:12
Thanks, Jeff.
SPEAKER_03
04:38:13
Bye, everyone.
04:38:15
See you, Greg.
04:38:15
See you, Greg.
SPEAKER_05
04:38:20
Move to adjourn.
04:38:23
Second aye.